What does the name Anto<3 mean, and why is it written like that? Find out all about one of Festival Estéreo Picnic 2026’s most dynamic acts.
Anto<3 are all over the place both orthographically and musically, but in a good way. This is as Gen Z as it comes, gleefully mashing up sounds and styles in an explosion of energy, chaos and unfiltered reality. They’ll definitely start Festival Estéreo Picnic 2026 on the front foot with a shot of adrenaline to the heart.
This is full-throttle music that is relentless and breathless. Explicit and provocative lyrics take you through whirlwind mini-stories told in an effects-heavy style, underpinned by complex, energetic and throbbingly insistent rhythms.
Charismatic singer Antonia Broderick and producer Samuel Huertas take time out to talk to us about their upcoming show at Festival Estéreo Picnic 2026. It’s immediately clear where the energy comes from – Broderick’s eyes dart around while Huertas has a laid-back drawl.
Their opinions on playing the country’s biggest music fest illustrate their personalities well. Broderick leaps in to say “So fucking excited, honestly. I think it’s going to be a really great moment for everyone,” while Huertas adds “Of course, we’ve been here as audience members too, so that’s cool, because it’s from here.”
Broderick’s take on their music is simply to reel off a list of adjectives: “ Intense, punky, hardcore, free, vulnerable.” Some of that might seem contradictory, but that’s part of the point of the band. Trying to pigeonhole them is a fool’s errand, constantly getting lost as they flit seamlessly and effortlessly between genres.
Huertas tells us that fusion is key to their sound, saying that they have “Electronica with Colombian things – a lot of trap and reggaeton, I don’t know what more. Rock, also, and emo?” The former are clear in the beats while the latter two often come through in the lyrics, with candid expressions of sadness and allusions to depression alongside a celebration of vice and hedonism.
He also has time for more classic sounds, even if repurposed and refashioned for a 2026 audience. “We also have like cumbia, but mixed with new genres. Some of our songs are really traditional, which is cool.” It’s not the first thing you’ll hear, but it comes out on repeat listens.
Playing with the idea of romance, they gleefully announce their new single: the charmingly named Romantikunt. It’s a bold name, to be sure, illustrative of how few fucks they give as to what others may think. Broderick seems to relish anglo-saxon words, liberally dropping ‘fucks’ throughout her songs.
And that iconoclastic, playful band name? It comes from the delightfulness of a peck on the cheek, as Broderick explains “The name is because I love the emoticon, it’s like a heart and I think I’m really romantic. It’s basically Anto-heart, but more cool.”
It’s a name that encapsulates the band: it’s Gen Z already-ironic emoticons, tells you they don’t give a fuck about classic forms and is jarring to see, while adding that twist of sugar that sweetens the message just enough to make Anto<3 fun.
Anto<3 play the Páramo stage at 3pm on Sunday March 22 at Festival Estéreo Picnic 2026
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Colombia’s premier music event kicks off today, with top tier talent throughout the bill. Who’s on and what do you need to know about Festival Estéreo Picnic 2026?
Festival Estéreo Picnic 2026 is here at last! By far the most high-profile event in the Bogotá musical calendar, the festival has gone from strength to strength since its return to the heart of the capital and this year is certainly no exception. The sun has even come out to say hello for Friday at least.
With music event tourism growing in popularity, Festival Estéreo Picnic 2026 is a reason to visit Bogotá for many, with floods of foreign tourists coming in from Latin America and beyond, eager to check out what a contemporary Latin music festival looks like and how rolos party.
Our guide will let you in on some talent you might not have heard of on the bill as well as give you an idea of what the festival itself is like. Whether that’s eating and drinking, transportation or even what to wear, we’ve got you covered.
First time at Festival Estéreo Picnic? First time at a major Latin event? Don’t worry, it’s a well-oiled machine that is easy to deal with. All basic transactions are done via a cashless wristband that you can pick up onsite. The system is easy to charge, use and even reclaim outstanding balance from.
Bands are usually timed so that you can flip back and forth between the two main stages (Festival Estereo Picnic and Mundo Distinto) and catch everyone as long as you don’t need to be right at the front for everyone. Getting around is usually pretty easy, with big wide paths and wheelchair access relatively well set up.
Estéreo Picnic is definitely the main stage, facing in reverse to the Rock al Parque setup, but Mundo Distinto pushes it close as a strong second stage. Many years it sees the best performances, with the likes of Fatboy Slim and Limp Biskit ripping it up in recent years.
However, for true music geek points you’ll want to get to Lago (behind the second stage) and Bosque (to the left of main stage) for smaller bands and a more intimate atmosphere. When well-supported locals are onstage, this is a lively place to be.
As well as the bands on the open air stages there are also a triptych of tents. These feature a range of cabaret artists – expect burlesque, drag and the like – and a revolving lineup of mostly local DJs. These are great places to dip into if you’re left cold by the stages, but expect a fierce heat inside.
In terms of refreshments you should have no problems. There’s a decent dedicated eating area and unless you go at the absolute peak time you should have no trouble finding seats. Prices are towards the higher end of Bogotá, but not at all crazy.
Offerings are similar to what you might expect to find in a food court at a mall: a bunch of big and big-ish chains plus a few smaller outlets. Vegans are usually catered to by either NoPollo or Stankov. There’ll be a craft beer stall somewhere plus a BBC van.
This is Bogotá, so make sure you pack waterproofs and suncream porque sí. You probably need at least one of them and possibly both. If you turn up in the late afternoon you can get away without the cream, but remember people burn fast at altitude.
Decent hiking waterproofs aren’t high fashion but they are very practical and with La Niña refusing to clear off, likely to be necessary. Even if you avoid the actual rainy spells, there’s a good chance of muddy patches that can quickly ruin nice trainers.
If you find yourself with a long time between bands or needing a rest, there are chill out zones to relax with as well as a market featuring stalls usually run by independent brands. There will also be plenty of megacorps trying to flog stuff all over the park.
This year, it’s a three-day event. That seems like a good move, concentrating quality into a long weekend rather than stretching things over four days. Adult tickets start at COP$523,000 for a single day and are available online via Ticketmaster here.
Finally, toilets. Yes, it’s a festival, but no, they aren’t bad. Men and women are neatly separated, but make sure you bring a pack of tissues as paper is usually in short supply. The area is nice and large so no risk of anything horrible happening.
Get onsite early to check out Entreco opening the Lago stage at 4pm on the way in. They’re queer-punk iconoclasts from Cali with a long history. The crowd might be small, but the performance will be big, with plenty of charisma on stage. Manú is then over at the Bosque for some more introspective pop.
Djo and Katseye arrived at the airport together this week and they play joined at the hip – the latter on the second stage for sundown, with the former taking over on the main stage after an hour.
Then things get complicated. Six Sex will be on a minor stage, Bogotá rockcito mainstays Nicolás y los Fumadores are at the Lago and Addison Rae lights up the second stage. Digital Nuclear Transistor is worth catching in the tents if you’re a fan of dark techno.
And then Turnstile arrive at the main stage for what will be a crushing moshpit. They’re on at the right time in the right place: it’ll be intense, just as it was when they played here a few years back.
With probably the strongest single-day lineup, there’s only one place to be to see out the day as Tyler, the Creator takes to the stage at 23:15. Lorde is the warm-up on the second stage if you don’t want to be pushing to the front for the headliner.
After Friday’s fun and games, you might be tempted to arrive late on the following afternoon. That would be a shame, because there’s some fine acts early doors. Machaka from Ecuador is an interesting take on Latin pop, Kabinett is wildly inventive alternative electronica and 31 minutos is a puppet show. Yes really, and it’ll be huge.
Perhaps one of the most Latin experiences you can have is on today: La Tigresa del Oriente. An octagenarian balladeer that defies all comparison and most description, look her up to get an idea of what’ll happen. Aora tent at 7pm, it’ll be something special.
After that, you have Tom Morello continuing to rage against the machine, but still having an early night and The Killers, who have been here before and always turn in a big set. Swedish House Mafia close out the second stage and that is likely to be bouncing, with Festival Estéreo Picnic always loving this type of slot.
The day kicks off with an absolute riot of local talent from early on, with Anto<3, Agraciada Pirineos en Llamas and Zarigüeya all opening stages. All four are exciting young Colombian talent that reward those getting onsite to see them.
Unlike anything else on the bill, Zarigüeya is proudly political without tubthumping and blending carranga rhythms into a smooth smorgasbord of styles.
Latin American maximalism is represented by Agraciada, who teams that visual style with soulful, delicate minimalist harmonies.
Anto<3, meanwhile, are a very different proposition entirely. That’s Gen Z Latin hyperpop that’s bouncy, energetic and sultry all at once.
Macario Martínez is a Mexican viral sensation tipped to make it big while booking Travis to play Colombia early afternoon this close to the rainy season is frankly tempting fate. Then there’s the mystery of pop pixie Sabrina Carpenter, a ray of upbeat pop among an array of darker and more aggressive acts.
Those are Interpol, Deftones and Skrillex, giving a very turn of the century feel to the end of the festival. Interpol will sound like they always do, serviceable, but the other two are more interesting.
Deftones are back on track after some rocky years, gaining near-universal acclaim for this tour as more people re-evaluate their position as nu-metal pioneers. Skrillex, meanwhile, dug a furrow all of his own as the DJ metalheads love and metalhead DJs love. He’ll lean more into the former than latter to close out Festival Estéreo Picnic 2026.
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Mixing Latin American maximalist visuals with a sensitive minimalist sound, Agraciada is set to light up Festival Estéreo Picnic 2026.
Huilense popster Agraciada in person screams Latin American maximalism with her outfit. Musically, though, she’s more introspective and sensitive with a deep groundswell of emotion eddying through her songs in the tradition of melancholic Latin crooners. She’s set to bring something different to Festival Estéreo Picnic 2026.
This clash of flamboyance and melancholy would be reminiscent of Morrissey were she not so easy to talk to and such pleasant company. Born Georgina Rojas Vargás, she explains where the dualism of visual maximalism and musical minimalism comes from.
“It depends on the day,” she says with regard to her flamboyant outfit and stuffed toy. “Sometimes you have to do something a bit special. The visual identity is very important for me, the maximalism. That has a lot to do with my day-to-day life too.”
She warms to the theme, explaining that when it comes to music she thinks less can be more. “I consider myself very sensitive, it’s part of my personality. I perceive everything as very intense and music permits me to express that.”
Her music is very traditional in terms of emotion and emphasis, with a heavy focus on loss, melancholy and sadness as well as dreams of love. While there’s a lot going on, it’s muted rather than flashy, allowing the vocals to take centre stage.
In the Latin tradition, it’s gentle and soulful with stripped back wistful harmonies. “I consider my music very melancholic,” she says, continuing “there’s the romanticism of salsa and ranchera as well as other traditional genres in Colombia and Mexico particularly. It’s a very Latin American mix.”
Pressed for a personal recommendation, she says that “Calor de corazón shows the intensity of my personality.” She recommends listening in 5.1 surround sound for the full effect of the aural soundscape to reach and envelop you.
She’s looking forward to being onstage at Festival Estéreo Picnic 2026 as she loves performing. “For me art is like a service, I’m inviting the audience to share something very personal from me.” She’s been in Bogotá more than enough time to pick up the accent, so she knows just how big a stage this is.
It’ll be a big affair as well – she’s turning up with full musical support. “There will be 15 musicians on stage with me, because they’re my friends and we want to put something a bit different on stage. That includes two pianos.”
Agraciada is a bundle of contrasts that triggers lots of emotions through her gentle, softcore delivery. It’s perfect music both for a warm Bogotá afternoon at Festival Estéreo Picnic 2026 or in a nice cosy bar elsewhere in la nevera.
Agraciada plays the Bosque stage on Sunday March 22 at 14:30 as part of Festival Estéreo Picnic 2026.
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Singer-songwriter Zarigüeya is on a learning curve at Festival Estéreo Picnic 2026, but she’s sure of her principles. Find out why she’s not on the world’s biggest music streamer.
Singer Sara Puentes Umbarila is performing at Festival Estéreo Picnic 2026 with a musical style that’s markedly different to much of the bill.
Known as Zarigüeya, she combines a range of musical influences with an unapologetically political stance. This isn’t party politics though, instead being about principles and philosophy.
It’s not easy finding Zarigüeya online, and she readily explains why. “I’m really hard to find because I’m not on Spotify. I was, but then I took my music out of the platform. It was a political decision, because I found out the owner was investing in war and on top of that they don’t pay the artists well. So I prefer not to be part of that.”
It’s a principled stand of the type that used to be normal in music but is becoming less commonplace. “I know it’s important for artists to be easy to find, but I don’t care.” A sentiment that might resonate with the likes of Tom Morello on the bill.
Not being on Spotify means more promotion the old-fashioned way – making good music and playing it live. And there’s no bigger stage than Festival Estéreo Picnic 2026. “I’m here to learn, basically, she says, adding “I feel good, a little bit shy, anxious but I know it’s going to be really fun and special to have this chance to share this music in places where I usually wouldn’t go.”
Making the effort to find her music (on pretty much any other platform) is well worth it though. She has a beguilingly soft voice that underpins deep lyrics. While she’s certainly part of the well established Latin tradition of a singer with a guitar, there’s a lot more to her music, blending a rainbow range of rhythms and styles.
She returns again to the theme of learning as she explains how her songs differ. “I’m still figuring things out after three years as a songwriter, so I have my band and I also play alone.” That adds to the sense of whimsy that permeates her sound – as comfortable with full backing or going solo.
Carranga pops up often in descriptions of Zarigüeya and it is a part of the mix, but she draws from lots of sources. “I mean, I love carranga, it’s one of my favorite genres, but this is not intended to be 100% carranga.”
“This is music, you have a little bit of many different rhythms. It has a clear carranga inspiration but not in all the songs. Three or four have a strong influence, but many are just whatever comes [to me] in the moment, not on a strict schedule.”
It’s no surprise that this isn’t just a musical basis. “One of my biggest influences is Violeta Parra cause she has an amazing voice, she had a very free spirit and also was always trying to find songs in the fields, in the mountains, in the people. And also she was really political in her songs which is something I admire.”
It’s a departure from much of the bill, for sure. “[The audience] can expect to see something different from the rest of the lineup, because of the music and also the vibe of the show. I like to talk a lot and be very narrative.” Adding to that is a multimedia experience, with a friend illustrating live on stage and her own art also prominent as a backdrop.
Festival Estéreo Picnic 2026 isn’t her usual scene, so it’s a special opportunity. “I go to other places usually, other kinds of festivals. So in all senses it’s new to me. It’s challenging and confronting to be part of this. I was not looking for it but I think I will learn a lot.” As will you if you get to her set on Sunday, or further down the line.
Zarigüeya plays the Lago stage at 14:15 on Sunday afternoon at Festival Estéreo Picnic 2026.
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