What does the name Anto<3 mean, and why is it written like that? Find out all about one of Festival Estéreo Picnic 2026’s most dynamic acts.

Anto<3 are all over the place both orthographically and musically, but in a good way. This is as Gen Z as it comes, gleefully mashing up sounds and styles in an explosion of energy, chaos and unfiltered reality. They’ll definitely start Festival Estéreo Picnic 2026 on the front foot with a shot of adrenaline to the heart.

This is full-throttle music that is relentless and breathless. Explicit and provocative lyrics take you through whirlwind mini-stories told in an effects-heavy style, underpinned by complex, energetic and throbbingly insistent rhythms.

Charismatic singer Antonia Broderick and producer Samuel Huertas take time out to talk to us about their upcoming show at Festival Estéreo Picnic 2026. It’s immediately clear where the energy comes from – Broderick’s eyes dart around while Huertas has a laid-back drawl.

Their opinions on playing the country’s biggest music fest illustrate their personalities well. Broderick leaps in to say “So fucking excited, honestly. I think it’s going to be a really great moment for everyone,” while Huertas adds “Of course, we’ve been here as audience members too, so that’s cool, because it’s from here.”

Broderick’s take on their music is simply to reel off a list of adjectives: “ Intense, punky, hardcore, free, vulnerable.” Some of that might seem contradictory, but that’s part of the point of the band. Trying to pigeonhole them is a fool’s errand, constantly getting lost as they flit seamlessly and effortlessly between genres.

Huertas tells us that fusion is key to their sound, saying that they have “Electronica with Colombian things – a lot of trap and reggaeton, I don’t know what more. Rock, also, and emo?” The former are clear in the beats while the latter two often come through in the lyrics, with candid expressions of sadness and allusions to depression alongside a celebration of vice and hedonism.

He also has time for more classic sounds, even if repurposed and refashioned for a 2026 audience. “We also have like cumbia, but mixed with new genres. Some of our songs are really traditional, which is cool.” It’s not the first thing you’ll hear, but it comes out on repeat listens.

Playing with the idea of romance, they gleefully announce their new single: the charmingly named Romantikunt. It’s a bold name, to be sure, illustrative of how few fucks they give as to what others may think. Broderick seems to relish anglo-saxon words, liberally dropping ‘fucks’ throughout her songs.

And that iconoclastic, playful band name? It comes from the delightfulness of a peck on the cheek, as Broderick explains “The name is because I love the emoticon, it’s like a heart and I think I’m really romantic. It’s basically Anto-heart, but more cool.”

It’s a name that encapsulates the band: it’s Gen Z already-ironic emoticons, tells you they don’t give a fuck about classic forms and is jarring to see, while adding that twist of sugar that sweetens the message just enough to make Anto<3 fun.

Anto<3 play the Páramo stage at 3pm on Sunday March 22 at Festival Estéreo Picnic 2026

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Colombia’s premier music event kicks off today, with top tier talent throughout the bill. Who’s on and what do you need to know about Festival Estéreo Picnic 2026? 

Festival Estéreo Picnic 2026 is here at last! By far the most high-profile event in the Bogotá musical calendar, the festival has gone from strength to strength since its return to the heart of the capital and this year is certainly no exception. The sun has even come out to say hello for Friday at least.

With music event tourism growing in popularity, Festival Estéreo Picnic 2026 is a reason to visit Bogotá for many, with floods of foreign tourists coming in from Latin America and beyond, eager to check out what a contemporary Latin music festival looks like and how rolos party.

Our guide will let you in on some talent you might not have heard of on the bill as well as give you an idea of what the festival itself is like. Whether that’s eating and drinking, transportation or even what to wear, we’ve got you covered.

How to get around Festival Estéreo Picnic 2026

First time at Festival Estéreo Picnic? First time at a major Latin event? Don’t worry, it’s a well-oiled machine that is easy to deal with. All basic transactions are done via a cashless wristband that you can pick up onsite. The system is easy to charge, use and even reclaim outstanding balance from.

Bands are usually timed so that you can flip back and forth between the two main stages (Festival Estereo Picnic and Mundo Distinto) and catch everyone as long as you don’t need to be right at the front for everyone. Getting around is usually pretty easy, with big wide paths and wheelchair access relatively well set up.

Estéreo Picnic is definitely the main stage, facing in reverse to the Rock al Parque setup, but Mundo Distinto pushes it close as a strong second stage. Many years it sees the best performances, with the likes of Fatboy Slim and Limp Biskit ripping it up in recent years.

However, for true music geek points you’ll want to get to Lago (behind the second stage) and Bosque (to the left of main stage) for smaller bands and a more intimate atmosphere. When well-supported locals are onstage, this is a lively place to be.

As well as the bands on the open air stages there are also a triptych of tents. These feature a range of cabaret artists – expect burlesque, drag and the like – and a revolving lineup of mostly local DJs. These are great places to dip into if you’re left cold by the stages, but expect a fierce heat inside.

In terms of refreshments you should have no problems. There’s a decent dedicated eating area and unless you go at the absolute peak time you should have no trouble finding seats. Prices are towards the higher end of Bogotá, but not at all crazy.

Offerings are similar to what you might expect to find in a food court at a mall: a bunch of big and big-ish chains plus a few smaller outlets. Vegans are usually catered to by either NoPollo or Stankov. There’ll be a craft beer stall somewhere plus a BBC van.

This is Bogotá, so make sure you pack waterproofs and suncream porque sí. You probably need at least one of them and possibly both. If you turn up in the late afternoon you can get away without the cream, but remember people burn fast at altitude.

Decent hiking waterproofs aren’t high fashion but they are very practical and with La Niña refusing to clear off, likely to be necessary. Even if you avoid the actual rainy spells, there’s a good chance of muddy patches that can quickly ruin nice trainers.

If you find yourself with a long time between bands or needing a rest, there are chill out zones to relax with as well as a market featuring stalls usually run by independent brands. There will also be plenty of megacorps trying to flog stuff all over the park.

This year, it’s a three-day event. That seems like a good move, concentrating quality into a long weekend rather than stretching things over four days. Adult tickets start at COP$523,000 for a single day and are available online via Ticketmaster here. 

Finally, toilets. Yes, it’s a festival, but no, they aren’t bad. Men and women are neatly separated, but make sure you bring a pack of tissues as paper is usually in short supply. The area is nice and large so no risk of anything horrible happening.

Who to watch at Festival Estéreo Picnic 2026?

Friday

Get onsite early to check out Entreco opening the Lago stage at 4pm on the way in. They’re queer-punk iconoclasts from Cali with a long history. The crowd might be small, but the performance will be big, with plenty of charisma on stage. Manú is then over at the Bosque for some more introspective pop.

Djo and Katseye arrived at the airport together this week and they play joined at the hip – the latter on the second stage for sundown, with the former taking over on the main stage after an hour.

Then things get complicated. Six Sex will be on a minor stage, Bogotá rockcito mainstays Nicolás y los Fumadores are at the Lago and Addison Rae lights up the second stage. Digital Nuclear Transistor is worth catching in the tents if you’re a fan of dark techno.

And then Turnstile arrive at the main stage for what will be a crushing moshpit. They’re on at the right time in the right place: it’ll be intense, just as it was when they played here a few years back.

With probably the strongest single-day lineup, there’s only one place to be to see out the day as Tyler, the Creator takes to the stage at 23:15. Lorde is the warm-up on the second stage if you don’t want to be pushing to the front for the headliner.

Saturday

After Friday’s fun and games, you might be tempted to arrive late on the following afternoon. That would be a shame, because there’s some fine acts early doors. Machaka from Ecuador is an interesting take on Latin pop, Kabinett is wildly inventive alternative electronica and 31 minutos is a puppet show. Yes really, and it’ll be huge.

Perhaps one of the most Latin experiences you can have is on today: La Tigresa del Oriente. An octagenarian balladeer that defies all comparison and most description, look her up to get an idea of what’ll happen. Aora tent at 7pm, it’ll be something special.

After that, you have Tom Morello continuing to rage against the machine, but still having an early night and The Killers, who have been here before and always turn in a big set. Swedish House Mafia close out the second stage and that is likely to be bouncing, with Festival Estéreo Picnic always loving this type of slot.

Sunday

The day kicks off with an absolute riot of local talent from early on, with Anto<3, Agraciada Pirineos en Llamas and Zarigüeya all opening stages. All four are exciting young Colombian talent that reward those getting onsite to see them.

Unlike anything else on the bill, Zarigüeya is proudly political without tubthumping and blending carranga rhythms into a smooth smorgasbord of styles.

Latin American maximalism is represented by Agraciada, who teams that visual style with soulful, delicate minimalist harmonies.

Anto<3, meanwhile, are a very different proposition entirely. That’s Gen Z Latin hyperpop that’s bouncy, energetic and sultry all at once.

Macario Martínez is a Mexican viral sensation tipped to make it big while booking Travis to play Colombia early afternoon this close to the rainy season is frankly tempting fate. Then there’s the mystery of pop pixie Sabrina Carpenter, a ray of upbeat pop among an array of darker and more aggressive acts.

Those are Interpol, Deftones and Skrillex, giving a very turn of the century feel to the end of the festival. Interpol will sound like they always do, serviceable, but the other two are more interesting. 

Deftones are back on track after some rocky years, gaining near-universal acclaim for this tour as more people re-evaluate their position as nu-metal pioneers. Skrillex, meanwhile, dug a furrow all of his own as the DJ metalheads love and metalhead DJs love. He’ll lean more into the former than latter to close out Festival Estéreo Picnic 2026.

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Mixing Latin American maximalist visuals with a sensitive minimalist sound, Agraciada is set to light up Festival Estéreo Picnic 2026.

Huilense popster Agraciada in person screams Latin American maximalism with her outfit. Musically, though, she’s more introspective and sensitive with a deep groundswell of emotion eddying through her songs in the tradition of melancholic Latin crooners. She’s set to bring something different to Festival Estéreo Picnic 2026.

This clash of flamboyance and melancholy would be reminiscent of Morrissey were she not so easy to talk to and such pleasant company. Born Georgina Rojas Vargás, she explains where the dualism of visual maximalism and musical minimalism comes from. 

“It depends on the day,” she says with regard to her flamboyant outfit and stuffed toy. “Sometimes you have to do something a bit special. The visual identity is very important for me, the maximalism. That has a lot to do with my day-to-day life too.”

She warms to the theme, explaining that when it comes to music she thinks less can be more. “I consider myself very sensitive, it’s part of my personality. I perceive everything as very intense and music permits me to express that.”

Her music is very traditional in terms of emotion and emphasis, with a heavy focus on loss, melancholy and sadness as well as dreams of love. While there’s a lot going on, it’s muted rather than flashy, allowing the vocals to take centre stage. 

In the Latin tradition, it’s gentle and soulful with stripped back wistful harmonies. “I consider my music very melancholic,” she says, continuing “there’s the romanticism of salsa and ranchera as well as other traditional genres in Colombia and Mexico particularly. It’s a very Latin American mix.”

Pressed for a personal recommendation, she says that “Calor de corazón shows the intensity of my personality.” She recommends listening in 5.1 surround sound for the full effect of the aural soundscape to reach and envelop you.

She’s looking forward to being onstage at Festival Estéreo Picnic 2026 as she loves performing. “For me art is like a service, I’m inviting the audience to share something very personal from me.” She’s been in Bogotá more than enough time to pick up the accent, so she knows just how big a stage this is.

It’ll be a big affair as well – she’s turning up with full musical support. “There will be 15 musicians on stage with me, because they’re my friends and we want to put something a bit different on stage. That includes two pianos.”

Agraciada is a bundle of contrasts that triggers lots of emotions through her gentle, softcore delivery. It’s perfect music both for a warm Bogotá afternoon at Festival Estéreo Picnic 2026 or in a nice cosy bar elsewhere in la nevera.

Agraciada plays the Bosque stage on Sunday March 22 at 14:30 as part of Festival Estéreo Picnic 2026.

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Singer-songwriter Zarigüeya is on a learning curve at Festival Estéreo Picnic 2026, but she’s sure of her principles. Find out why she’s not on the world’s biggest music streamer.

Singer Sara Puentes Umbarila is performing at Festival Estéreo Picnic 2026 with a musical style that’s markedly different to much of the bill.

Known as Zarigüeya, she combines a range of musical influences with an unapologetically political stance. This isn’t party politics though, instead being about principles and philosophy.

It’s not easy finding Zarigüeya online, and she readily explains why. “I’m really hard to find because I’m not on Spotify. I was, but then I took my music out of the platform. It was a political decision, because I found out the owner was investing in war and on top of that they don’t pay the artists well. So I prefer not to be part of that.”

It’s a principled stand of the type that used to be normal in music but is becoming less commonplace. “I know it’s important for artists to be easy to find, but I don’t care.” A sentiment that might resonate with the likes of Tom Morello on the bill.

Not being on Spotify means more promotion the old-fashioned way – making good music and playing it live. And there’s no bigger stage than Festival Estéreo Picnic 2026. “I’m here to learn, basically, she says, adding “I feel good, a little bit shy, anxious  but I know it’s going to be really fun and special to have this chance to share this music in places where I usually wouldn’t go.”

Making the effort to find her music (on pretty much any other platform) is well worth it though. She has a beguilingly soft voice that underpins deep lyrics. While she’s certainly part of the well established Latin tradition of a singer with a guitar, there’s a lot more to her music, blending a rainbow range of rhythms and styles.

She returns again to the theme of learning as she explains how her songs differ. “I’m still figuring things out after three years as a songwriter, so I have my band and I also play alone.” That adds to the sense of whimsy that permeates her sound – as comfortable with full backing or going solo.

Carranga pops up often in descriptions of Zarigüeya and it is a part of the mix, but she draws from lots of sources. “I mean, I love carranga, it’s one of my favorite genres, but this is not intended to be 100% carranga.”

“This is music, you have a little bit of many different rhythms. It has a clear carranga inspiration but not in all the songs. Three or four have a strong influence, but many are just whatever comes [to me] in the moment, not on a strict schedule.”

It’s no surprise that this isn’t just a musical basis. “One of my biggest influences is Violeta Parra cause she has an amazing voice, she had a very free spirit and also was always trying to find songs in the fields, in the mountains, in the people. And also she was really political in her songs which is something I admire.”

It’s a departure from much of the bill, for sure. “[The audience] can expect to see something different from the rest of the lineup, because of the music and also the vibe of the show. I like to talk a lot and be very narrative.” Adding to that is a multimedia experience, with a friend illustrating live on stage and her own art also prominent as a backdrop.

Festival Estéreo Picnic 2026 isn’t her usual scene, so it’s a special opportunity. “I go to other places usually, other kinds of festivals. So in all senses it’s new to me. It’s challenging and confronting to be part of this. I was not looking for it but I think I will learn a lot.” As will you if you get to her set on Sunday, or further down the line.

Zarigüeya plays the Lago stage at 14:15 on Sunday afternoon at Festival Estéreo Picnic 2026.

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In the north of Bogotá, a new restaurant offers an experience that exists nowhere else in Latin America. 

Sombras, or ‘shadows’, is a high-end eatery run entirely by blind people, offering a unique experience that aims to raise awareness about sight loss and the challenges faced by those living with this condition.

For 90 minutes, diners are provided a sensory experience through a six-course menu while sitting in complete darkness

This project, part of the Seratta Group, costs approximately 325,000 COP (around US$88) and seats around 20 people at a time.

According to the DANE (National Administrative Department of Statistics), in 2025, the labor gap for people with disabilities was critical: roughly 80% of the population was unemployed. Of the 20% who are employed, many relied on informal work as a way of living.

Accordingly, Sombra’s primary goal is to increase job opportunities for people with visual impairment, even offering a ‘BLINDKEDIN’ on their website to promote inclusion in workspaces and bridge the gap between companies and workers.

Into the unknown

Entering the restaurant, guests are asked to place their belongings in lockers as one of the hosts voice announces, “The main ingredient is trust.” Cellphones, smartwatches, or any other distracting items are forbidden from being used in Sombras. Bags are stored as well, so as not to create obstacles as the staff move around the room unassisted. 

Right ahead is the path to darkness; the atmosphere is filled with fear, expectation, curiosity, and excitement. Not knowing what lies inside, guests must simply walk into the unknown.

Taking small steps, hands over the shoulders of a man simply identified as ‘Agent X,’ diners are shown to their seat. Finally, they are left alone at a table that can only be perceived through touch.

A mix of music, played by a blind DJ, is the perfect accompaniment to the dishes and cocktails placed down one by one. 

Each course is served while a voice guides the guests through the dark: “Take this, move your hand to the left.” 

Scenarios described over speakers guide guests through different worlds, prompting them to reflect on how they perceive the dark. Some courses are designed to evoke childhood memories; as diners eat, the flavors, aromas, and narrations conjure up images of their grandmother’s warm soup or the salty smell of seaside holidays. 

Without the visual cue of the food, flavors meld in novel ways, and everything tastes more intense.  

Between courses, a sense of emptiness can settle in. While the mind tries to imagine colors, dimensions, and even the appearance of fellow diners, the silence and darkness produce a feeling of loneliness and a sense of nothingness. Time passes, but without a watch, it is impossible to measure. 

One cycles through intense feelings and emotions as the brain fights to understand what is happening around it. Placed in the shoes of those who live in darkness every day, guests soon realize they can effortlessly perform the ritual of eating without opening their eyes.

Beyond sight

Following the experience, the hosts revealed themselves. 

John Jairo García and Jonathan Benavides (who is responsible for personalizing the ‘Agent X’ character) are in charge of guiding guests through the journey; both men are blind and were trained to lead visitors through an immersive experience of self-reflection, self-knowledge, and incredible food.

“I am here because God gave me the opportunity. Before this, I used to work on the streets… I sang on buses, and I was also an informal street vendor,” García told The Bogotá Post after the experience. Benavides added that before joining the team, he worked as an informal door-to-door salesman.

“We try not only to serve food but to move hearts and emotions. The social perspective in our country toward people with disabilities. In this case, visual impairment is very biased,” confirmed Jonathan during the interview.

At the end, the staff arrives with a message, they invite you to be thankful for seeing colors, for seeing the world that surrounds you. As some tears begin to fall, the last reflection is a call to empathy: “Change your way of thinking and your whole life will change”.

In fact, the blind dining experience at Sombras forces more than self-reflection; it triggers a biological change in the visitor. According to research hosted by the National Library of Medicine, the adult brain has a “rapid plasticity” that triggers almost immediately when vision is blocked. In the 90 minutes spent at Sombras, diners begin to perceive the world through their other senses, assigning “visual power” to taste and touch.

Through this experience, guests can truly empathize – if only for a brief moment – with what it means to lose vision. 

“We try to make the people who visit our restaurant understand that we, even with a disability, can also be useful to society,” concluded Jonathan.

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Cars are off the road for día sin carro 2026 in Bogotá. We explain why the city does this and how to get about today.

Expect to see few cars and motos on the roads of la nevera today. Once or twice a year, Bogotá bans personal car and motorbike use for the vast majority of the city for most of the day – known as Día sin Carro y Moto. The first is scheduled for the first Thursday in February (the fifth) and there’s sometimes a second in autumn, around September.

It’s a lot more extreme than the normal Sunday and holiday ciclovía schemes, as almost all regular cars and motorbikes are banned from all roads. Obvious exceptions exist for taxis, buses, emergency vehicles, and certain key workers such as doctors.

However, expect to see streets much emptier than normal and predominately yellow with taxis and buses. Remember that there are also the white servicio especial taxis and a surprising number of exempted people travelling around, especially in central and downtown Bogotá.

The policy has been quite controversial, to say the least. Every year it leads to much wailing and gnashing of teeth from a whole host of sectors. Of course, people who usually use their cars to commute are furious, but it’s worth remembering that they are by no means the majority of the city’s commuters. 

Post-pandemic, that’s changed a lot. With the rise of remote working and home offices, it’s become much more viable for big swathes of the city to just tell people not to come in. Many schools are shut, universities are giving virtual classes and employees citywide are logging in.

A lot of people won’t even attempt to travel today, despite the fact that most Bogotanos don’t even use cars as primary transport. This reflects the growing acceptance of remote and hybrid working in Colombia, and points to a possible future with fewer commuters.

After all, Bogotá is a much nicer city if you don’t have to move around too much in it. Cities should be designed for people, not cars and motorbikes. Much of the city is still very much accessible by foot and bike, even if there are significant holes in the bus network.

So what’s the point of all of this? Well, the reason is above – Bogotá is so much more liveable without traffic jams, fumes, noise, delays and chaos. Bogotá might not be as bad as some Asian cities in terms of air pollution, but it’s certainly not a shining ecological star.

Día sin carro reduces this significantly, according to the city’s environmental department. Commute times are laughably inefficient, which leads to a lot of wasted time, lowering productivity and quality of life. And just have a listen to the quieter streets with fewer badly-tuned motorbikes.

So, what can you do on Día sin Carro 2026 in Bogotá?

If you’re out and about during Día sin Carro 2026 in Bogotá, you have several transport options.

Buses

Most people will be hopping on some type of bus, as indeed most commuters do every day. Whether it’s TransMilenio rapid bus transit, SITP buses in their rainbow of assorted colours or regular colectivos, they’re the transport lifeblood of la nevera. 

There might be a bit more crowding than usual, but off-peak it’s unlikely to be too bad. Also, there are more buses in circulation today, and they don’t have anywhere near as much traffic to navigate. You might think that in the case of the TransMi that’s not an issue, but remember that cars often get stuck crossing TransMi lanes.

Bikes 

Remember, you can always get on your bike in Bogotá. We’ve criticised the self-aggrandising capital mundial de bici posturing from the alcaldía before, but it’s still an excellent city (and country) to ride in. The bike lanes will be busier than normal, but there are plenty of them and they’re far less stressful than normal traffic.

No bike? No problem! Bogotá has a bikeshare scheme with a Brazilian company called Tembici. The system has had a few wobbles, but comes into its own on days like this. You will need to download the app to be able to use the scheme and it is relatively pricey for short term work.

Taxis

You may have trouble moving about with some rideshare apps, but the regular yellow taxis are most definitely buzzing about the city today. Apps such as easytaxi, tappsi, taxis libres et al should work as normal, just with high demand. Expect to wait a little while longer for a connection.

Hopefully, they’ll be on their best behaviour today and not taking advantage of the situation. Despite copping a lot of flak, rolo taxis aren’t nearly as bad as they’re often made out to be and have a big incentive to play nicely right now.

Walk! 

It’s a nice warm Bogotá day with fewer fumes in the air, which have been few and far between in recent weeks. Perfect conditions for a stroll in the sunshine. Most of the city is very flat and walkable, and you’re never far from a decent café to keep yourself safe from sunburn and rehydrate. Our top tip for a day like today is a limonada de coco!

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