What does the name Anto<3 mean, and why is it written like that? Find out all about one of Festival Estéreo Picnic 2026’s most dynamic acts.
Anto<3 are all over the place both orthographically and musically, but in a good way. This is as Gen Z as it comes, gleefully mashing up sounds and styles in an explosion of energy, chaos and unfiltered reality. They’ll definitely start Festival Estéreo Picnic 2026 on the front foot with a shot of adrenaline to the heart.
This is full-throttle music that is relentless and breathless. Explicit and provocative lyrics take you through whirlwind mini-stories told in an effects-heavy style, underpinned by complex, energetic and throbbingly insistent rhythms.
2022’s Regañada
Charismatic singer Antonia Broderick and producer Samuel Huertas take time out to talk to us about their upcoming show at Festival Estéreo Picnic 2026. It’s immediately clear where the energy comes from – Broderick’s eyes dart around while Huertas has a laid-back drawl.
Their opinions on playing the country’s biggest music fest illustrate their personalities well. Broderick leaps in to say “So fucking excited, honestly. I think it’s going to be a really great moment for everyone,” while Huertas adds “Of course, we’ve been here as audience members too, so that’s cool, because it’s from here.”
Broderick’s take on their music is simply to reel off a list of adjectives: “ Intense, punky, hardcore, free, vulnerable.” Some of that might seem contradictory, but that’s part of the point of the band. Trying to pigeonhole them is a fool’s errand, constantly getting lost as they flit seamlessly and effortlessly between genres.
Huertas tells us that fusion is key to their sound, saying that they have “Electronica with Colombian things – a lot of trap and reggaeton, I don’t know what more. Rock, also, and emo?” The former are clear in the beats while the latter two often come through in the lyrics, with candid expressions of sadness and allusions to depression alongside a celebration of vice and hedonism.
He also has time for more classic sounds, even if repurposed and refashioned for a 2026 audience. “We also have like cumbia, but mixed with new genres. Some of our songs are really traditional, which is cool.” It’s not the first thing you’ll hear, but it comes out on repeat listens.
Playing with the idea of romance, they gleefully announce their new single: the charmingly named Romantikunt. It’s a bold name, to be sure, illustrative of how few fucks they give as to what others may think. Broderick seems to relish anglo-saxon words, liberally dropping ‘fucks’ throughout her songs.
And that iconoclastic, playful band name? It comes from the delightfulness of a peck on the cheek, as Broderick explains “The name is because I love the emoticon, it’s like a heart and I think I’m really romantic. It’s basically Anto-heart, but more cool.”
It’s a name that encapsulates the band: it’s Gen Z already-ironic emoticons, tells you they don’t give a fuck about classic forms and is jarring to see, while adding that twist of sugar that sweetens the message just enough to make Anto<3 fun.
Anto<3 play the Páramo stage at 3pm on Sunday March 22 at Festival Estéreo Picnic 2026
Colombia’s premier music event kicks off today, with top tier talent throughout the bill. Who’s on and what do you need to know about Festival Estéreo Picnic 2026?
Festival Estéreo Picnic 2026 is here at last! By far the most high-profile event in the Bogotá musical calendar, the festival has gone from strength to strength since its return to the heart of the capital and this year is certainly no exception. The sun has even come out to say hello for Friday at least.
With music event tourism growing in popularity, Festival Estéreo Picnic 2026 is a reason to visit Bogotá for many, with floods of foreign tourists coming in from Latin America and beyond, eager to check out what a contemporary Latin music festival looks like and how rolos party.
Our guide will let you in on some talent you might not have heard of on the bill as well as give you an idea of what the festival itself is like. Whether that’s eating and drinking, transportation or even what to wear, we’ve got you covered.
How to get around Festival Estéreo Picnic 2026
First time at Festival Estéreo Picnic? First time at a major Latin event? Don’t worry, it’s a well-oiled machine that is easy to deal with. All basic transactions are done via a cashless wristband that you can pick up onsite. The system is easy to charge, use and even reclaim outstanding balance from.
Bands are usually timed so that you can flip back and forth between the two main stages (Festival Estereo Picnic and Mundo Distinto) and catch everyone as long as you don’t need to be right at the front for everyone. Getting around is usually pretty easy, with big wide paths and wheelchair access relatively well set up.
Estéreo Picnic is definitely the main stage, facing in reverse to the Rock al Parque setup, but Mundo Distinto pushes it close as a strong second stage. Many years it sees the best performances, with the likes of Fatboy Slim and Limp Biskit ripping it up in recent years.
However, for true music geek points you’ll want to get to Lago (behind the second stage) and Bosque (to the left of main stage) for smaller bands and a more intimate atmosphere. When well-supported locals are onstage, this is a lively place to be.
There’s even a beach! Sort of.
As well as the bands on the open air stages there are also a triptych of tents. These feature a range of cabaret artists – expect burlesque, drag and the like – and a revolving lineup of mostly local DJs. These are great places to dip into if you’re left cold by the stages, but expect a fierce heat inside.
In terms of refreshments you should have no problems. There’s a decent dedicated eating area and unless you go at the absolute peak time you should have no trouble finding seats. Prices are towards the higher end of Bogotá, but not at all crazy.
Offerings are similar to what you might expect to find in a food court at a mall: a bunch of big and big-ish chains plus a few smaller outlets. Vegans are usually catered to by either NoPollo or Stankov. There’ll be a craft beer stall somewhere plus a BBC van.
This is Bogotá, so make sure you pack waterproofs and suncream porque sí. You probably need at least one of them and possibly both. If you turn up in the late afternoon you can get away without the cream, but remember people burn fast at altitude.
Decent hiking waterproofs aren’t high fashion but they are very practical and with La Niña refusing to clear off, likely to be necessary. Even if you avoid the actual rainy spells, there’s a good chance of muddy patches that can quickly ruin nice trainers.
El mundo distinto is set to be sunny for the start of the weekend
If you find yourself with a long time between bands or needing a rest, there are chill out zones to relax with as well as a market featuring stalls usually run by independent brands. There will also be plenty of megacorps trying to flog stuff all over the park.
This year, it’s a three-day event. That seems like a good move, concentrating quality into a long weekend rather than stretching things over four days. Adult tickets start at COP$523,000 for a single day and are available online via Ticketmaster here.
Finally, toilets. Yes, it’s a festival, but no, they aren’t bad. Men and women are neatly separated, but make sure you bring a pack of tissues as paper is usually in short supply. The area is nice and large so no risk of anything horrible happening.
Who to watch at Festival Estéreo Picnic 2026?
Friday
Friday’s lineup starts strong
Get onsite early to check out Entreco opening the Lago stage at 4pm on the way in. They’re queer-punk iconoclasts from Cali with a long history. The crowd might be small, but the performance will be big, with plenty of charisma on stage. Manú is then over at the Bosque for some more introspective pop.
Djo and Katseye arrived at the airport together this week and they play joined at the hip – the latter on the second stage for sundown, with the former taking over on the main stage after an hour.
Then things get complicated. Six Sex will be on a minor stage, Bogotá rockcito mainstays Nicolás y los Fumadores are at the Lago and Addison Rae lights up the second stage. Digital Nuclear Transistor is worth catching in the tents if you’re a fan of dark techno.
And then Turnstile arrive at the main stage for what will be a crushing moshpit. They’re on at the right time in the right place: it’ll be intense, just as it was when they played here a few years back.
With probably the strongest single-day lineup, there’s only one place to be to see out the day as Tyler, the Creator takes to the stage at 23:15. Lorde is the warm-up on the second stage if you don’t want to be pushing to the front for the headliner.
Saturday
Old favourites return on Saturday
After Friday’s fun and games, you might be tempted to arrive late on the following afternoon. That would be a shame, because there’s some fine acts early doors. Machaka from Ecuador is an interesting take on Latin pop, Kabinett is wildly inventive alternative electronica and 31 minutos is a puppet show. Yes really, and it’ll be huge.
Perhaps one of the most Latin experiences you can have is on today: La Tigresa del Oriente. An octagenarian balladeer that defies all comparison and most description, look her up to get an idea of what’ll happen. Aora tent at 7pm, it’ll be something special.
After that, you have Tom Morello continuing to rage against the machine, but still having an early night and The Killers, who have been here before and always turn in a big set. Swedish House Mafia close out the second stage and that is likely to be bouncing, with Festival Estéreo Picnic always loving this type of slot.
Sunday
Sunday finishes on a high
The day kicks off with an absolute riot of local talent from early on, with Anto<3, Agraciada Pirineos en Llamas and Zarigüeya all opening stages. All four are exciting young Colombian talent that reward those getting onsite to see them.
Unlike anything else on the bill, Zarigüeya is proudly political without tubthumping and blending carranga rhythms into a smooth smorgasbord of styles.
Latin American maximalism is represented by Agraciada, who teams that visual style with soulful, delicate minimalist harmonies.
Macario Martínez is a Mexican viral sensation tipped to make it big while booking Travis to play Colombia early afternoon this close to the rainy season is frankly tempting fate. Then there’s the mystery of pop pixie Sabrina Carpenter, a ray of upbeat pop among an array of darker and more aggressive acts.
Those are Interpol, Deftones and Skrillex, giving a very turn of the century feel to the end of the festival. Interpol will sound like they always do, serviceable, but the other two are more interesting.
Deftones are back on track after some rocky years, gaining near-universal acclaim for this tour as more people re-evaluate their position as nu-metal pioneers. Skrillex, meanwhile, dug a furrow all of his own as the DJ metalheads love and metalhead DJs love. He’ll lean more into the former than latter to close out Festival Estéreo Picnic 2026.
Mixing Latin American maximalist visuals with a sensitive minimalist sound, Agraciada is set to light up Festival Estéreo Picnic 2026.
Huilense popster Agraciada in person screams Latin American maximalism with her outfit. Musically, though, she’s more introspective and sensitive with a deep groundswell of emotion eddying through her songs in the tradition of melancholic Latin crooners. She’s set to bring something different to Festival Estéreo Picnic 2026.
This clash of flamboyance and melancholy would be reminiscent of Morrissey were she not so easy to talk to and such pleasant company. Born Georgina Rojas Vargás, she explains where the dualism of visual maximalism and musical minimalism comes from.
“It depends on the day,” she says with regard to her flamboyant outfit and stuffed toy. “Sometimes you have to do something a bit special. The visual identity is very important for me, the maximalism. That has a lot to do with my day-to-day life too.”
She warms to the theme, explaining that when it comes to music she thinks less can be more. “I consider myself very sensitive, it’s part of my personality. I perceive everything as very intense and music permits me to express that.”
Her music is very traditional in terms of emotion and emphasis, with a heavy focus on loss, melancholy and sadness as well as dreams of love. While there’s a lot going on, it’s muted rather than flashy, allowing the vocals to take centre stage.
In the Latin tradition, it’s gentle and soulful with stripped back wistful harmonies. “I consider my music very melancholic,” she says, continuing “there’s the romanticism of salsa and ranchera as well as other traditional genres in Colombia and Mexico particularly. It’s a very Latin American mix.”
Pressed for a personal recommendation, she says that “Calor de corazón shows the intensity of my personality.” She recommends listening in 5.1 surround sound for the full effect of the aural soundscape to reach and envelop you.
She’s looking forward to being onstage at Festival Estéreo Picnic 2026 as she loves performing. “For me art is like a service, I’m inviting the audience to share something very personal from me.” She’s been in Bogotá more than enough time to pick up the accent, so she knows just how big a stage this is.
It’ll be a big affair as well – she’s turning up with full musical support. “There will be 15 musicians on stage with me, because they’re my friends and we want to put something a bit different on stage. That includes two pianos.”
Agraciada is a bundle of contrasts that triggers lots of emotions through her gentle, softcore delivery. It’s perfect music both for a warm Bogotá afternoon at Festival Estéreo Picnic 2026 or in a nice cosy bar elsewhere in la nevera.
Agraciada plays the Bosque stage on Sunday March 22 at 14:30 as part of Festival Estéreo Picnic 2026.
Singer-songwriter Zarigüeya is on a learning curve at Festival Estéreo Picnic 2026, but she’s sure of her principles. Find out why she’s not on the world’s biggest music streamer.
Sara at the Festival Estéreo Picnic press event
Singer Sara Puentes Umbarila is performing at Festival Estéreo Picnic 2026 with a musical style that’s markedly different to much of the bill.
Known as Zarigüeya, she combines a range of musical influences with an unapologetically political stance. This isn’t party politics though, instead being about principles and philosophy.
It’s not easy finding Zarigüeya online, and she readily explains why. “I’m really hard to find because I’m not on Spotify. I was, but then I took my music out of the platform. It was a political decision, because I found out the owner was investing in war and on top of that they don’t pay the artists well. So I prefer not to be part of that.”
It’s a principled stand of the type that used to be normal in music but is becoming less commonplace. “I know it’s important for artists to be easy to find, but I don’t care.” A sentiment that might resonate with the likes of Tom Morello on the bill.
Not being on Spotify means more promotion the old-fashioned way – making good music and playing it live. And there’s no bigger stage than Festival Estéreo Picnic 2026. “I’m here to learn, basically, she says, adding “I feel good, a little bit shy, anxious but I know it’s going to be really fun and special to have this chance to share this music in places where I usually wouldn’t go.”
Making the effort to find her music (on pretty much any other platform) is well worth it though. She has a beguilingly soft voice that underpins deep lyrics. While she’s certainly part of the well established Latin tradition of a singer with a guitar, there’s a lot more to her music, blending a rainbow range of rhythms and styles.
She returns again to the theme of learning as she explains how her songs differ. “I’m still figuring things out after three years as a songwriter, so I have my band and I also play alone.” That adds to the sense of whimsy that permeates her sound – as comfortable with full backing or going solo.
Carranga pops up often in descriptions of Zarigüeya and it is a part of the mix, but she draws from lots of sources. “I mean, I love carranga, it’s one of my favorite genres, but this is not intended to be 100% carranga.”
“This is music, you have a little bit of many different rhythms. It has a clear carranga inspiration but not in all the songs. Three or four have a strong influence, but many are just whatever comes [to me] in the moment, not on a strict schedule.”
It’s no surprise that this isn’t just a musical basis. “One of my biggest influences is Violeta Parra cause she has an amazing voice, she had a very free spirit and also was always trying to find songs in the fields, in the mountains, in the people. And also she was really political in her songs which is something I admire.”
It’s a departure from much of the bill, for sure. “[The audience] can expect to see something different from the rest of the lineup, because of the music and also the vibe of the show. I like to talk a lot and be very narrative.” Adding to that is a multimedia experience, with a friend illustrating live on stage and her own art also prominent as a backdrop.
Festival Estéreo Picnic 2026 isn’t her usual scene, so it’s a special opportunity. “I go to other places usually, other kinds of festivals. So in all senses it’s new to me. It’s challenging and confronting to be part of this. I was not looking for it but I think I will learn a lot.” As will you if you get to her set on Sunday, or further down the line.
Zarigüeya plays the Lago stage at 14:15 on Sunday afternoon at Festival Estéreo Picnic 2026.
Apple Music is rolling out a new metadata system called Transparency Tags, which indicates when AI has been used in the creation of music hosted on the platform.
According to Music Business Worldwide, Apple sent a newsletter to industry partners on Wednesday to explain how it will roll out the new set of metadata.
The system covers four categories including artwork, track, composition (lyrics), and music video. Labels and distributors can begin applying the tags immediately. Apple describes the tags as optional for now, noting that if omitted, no AI is assumed.
Apple said it defers to content providers to determine what qualifies as AI-generated, and that it treats the tags similarly to genres, credits, and other existing metadata. The company describes it as a first step toward industry-wide transparency around AI-generated music.
Proper tagging of content is the first step in giving the music industry the data and tools needed to develop thoughtful policies around AI," Apple said in the newsletter, "and we believe labels and distributors must take an active role in reporting when the content they deliver is created using AI."
Apple's approach contrasts with the route taken by competitors like Deezer, which has built its own detection infrastructure to independently identify AI-generated tracks, but it's not 100% accurate all the time. With Apple's tags, there isn't a visible enforcement or cross-verification process in place.
Deezer reports that it receives over 60,000 fully AI-generated tracks per day, with synthetic content now accounting for roughly 39% of all music delivered to the platform. Up to 85% of streams on AI-generated music were fraudulent in 2025, according to Deezer's data.
Apple's system is voluntary, or at least it is for now. Whether labels and distributors will actually use it remains to be seen.
Apple has launched Apple Music Connect, a new resource for labels, distributors, and partners to manage promotional assets, upload press photos, and help coordinate how artists' music and marketing materials are presented across the streaming service.
The new online hub includes a range of tools and services for music labels, including:
Promote: Creates promotional artwork and visual assets to support releases across Apple Music surfaces and external channels.
Apple Music Pitch: A way to submit detailed information about upcoming releases for editorial and playlist consideration.
Media Requests: A place for uploading and managing press photos and assets requested by Apple Music for editorial use.
Social Assets: Generates shareable templates for announcing placements, milestones, and releases on social platforms.
Console: A central dashboard to access and manage Apple Music Connect tools and permissions.
Marketing Tools: To generate affiliate links, badges, embeddable players, QR codes, and related promotional materials.
The new Apple Music Connect hub shouldn't be confused with the ill-fated Apple Music Connect social platform, which was shut down in 2018. The social engagement feature let artists directly share content with their fans, but it suffered the same fate as Ping, the company's previous social network for music removed from iTunes in October 2012.
The iOS 26.4 update that Apple is beta testing includes a new "Playlist Playground" feature in the Apple Music app that's designed to let users create a playlist with a text-based prompt.
In the Apple Music app, there's an option to type in an idea and get automatic song suggestions for a playlist. Apple has some pre-set suggestions that include "morning coffee music," "hip-hop party songs," and "disco songs that defined the 1970s," but you can type in any idea, mood, or feeling.
From there, the Playlist Playground feature will automatically generate a list of 25 songs, along with a custom title. Playlists that you create can be customized further with additional text prompts, and you can select a cover and a description.
The Playlist Playground is available in the iOS 26.4 beta, and you can get to it by opening up Apple Music, tapping into the Library, and tapping on the "+" button to create a new playlist. If it doesn't show up, you may need to restart your device or the Apple Music app.
Playlists can be shared and displayed on your profile, similar to standard playlists.
iOS 26.4 is limited to developers right now, but Apple will likely release a public beta in the near future. The software will launch in the spring.
Festival Estéreo Picnic 2026 is nearly here, and is a great way to find out more about Latin music alongside serious international superstars
Festival Estéreo Picnic 2026 is only a few weeks away now, with artists including Tyler, the Creator and Sabrina Carpenter topping a typically star-studded bill on the 20th-22nd of March. Having cemented its place in the centre of Bogotá, the event continues to be the biggest draw in town.
Festival Estéreo Picnic 2026 in Bogotá is just a few weeks away
This year, it’s a three-day event. That seems like a good move, concentrating quality into a long weekend rather than stretching things over four days. Adult tickets start at COP$523,000 for a single day and are available online via Ticketmaster here.
Full fest regular passes are at COP$1,413,000 and Sat-Sun at COP$939,000. VIP rates are significantly higher, with a full 3 day pass clocking in at COP$2,899,000. Prices will increase in the coming weeks.
Cultural tourism is now a heavyweight part of the sector and is rapidly diversifying away from purely traditional events like Barranquilla Carnival. That means a lot more travellers timing trips to coincide with festivals like Estéreo Picnic.
It’s easy to see why. Not only do you get a stellar international lineup, but also a peek at the flow of a Latin crowd. With prices competitive compared to North America and Europe, it’s a good way to see international stars along with your holiday.
What is Festival Estéreo Picnic in Bogotá like?
In a word: fantastic. Since the move back to the heart of the city, everything now flows pretty much seamlessly. Considering the size of the event, this is quite an achievement. It’s a cashless wristband affair, meaning you don’t have to worry about carrying too much cash.
There’s two big stages as well as a frequently interesting third stage set behind the second stage, often home to some of the more quirky and/or local acts. Hometown hip-hoppers La Etnnia’s set in 2024 was emblematic of that.
Of course, you’ll find getting to the front tricky with thousands of people in front of you, but there’s no VIP barriers to contend with and good views of most stages across the site. Bands are timed to avoid clashes, so you should be able to catch everyone on your list, even if from far away and there’s little dead time to contend with.
There’s even a (sort of) beach!
Food and drink is reasonably priced: you won’t be able to find a corrientazo bargain, but neither is it airport pricing. There’s a wide selection of local chains and some internationals with all tastes catered for, usually including fully vegan stands. The park’s normal drinking water fountains keep running through the festival too, with long lines.
If you’re getting tired after hours in a field, there are lots of seated spaces or grass to lie on, as well as tents in which to keep warm or shelter from rain. If you find yourself between bands, there’s a wide selection of shops and stalls to peruse. If things are really going south, there are dedicated chill-out spots and medical support.
Who’s headlining Festival Estéreo Picnic 2026 in Bogotá?
Festival Estéreo Picnic 2026 will be starting off front foot forward, with Tyler, The Creator headlining Friday night. Kiwi popster Lorde is the undercard here, with Turnstile bound to attract a big audience, given how much of a rock city Bogotá is.
On Saturday night, traditionally the biggest party of the weekend, the festival is going back to a tried and trusted favourite: The Killers. They’ve played Colombia a half dozen times over the past decade, so this isn’t breaking new ground, but will be popular.
There’s plenty of international quality down the bill on the middle day too, with Swedish House Mafia likely to go down an absolute storm, The Whitest Boy Alive popular and Tom Morello guaranteed to make a political statement.
For the final night, there’s a mix of contemporary talent and big name legends. Sabrina Carpenter ticks the first box, while Skrillex, Deftones and Interpol tick the latter. Scottish Britpop survivors Travis are timing things perfectly for a rendition of Why Does It Always Rain On Me.
Who else should I check out at Festival Estéreo Picnic 2026?
So, there’s plenty of well-known names you’ll recognise from international charts, but what about the local and Latin talent? After all, you can catch many of the big names around the world, but this might be your only chance to check out local talent.
These bands are usually scheduled earlier in the day, giving you the perfect excuse to rock up early and miss the queues for peaktime entrance around 6pm. Sadly, the local scene isn’t always the best attended, meaning that it’ll be easy to get up nice and close for most of these bands.
Nicolás y los Fumadores are as classic rolo rockcito as they come and command a strong following in the capital. 80s-infused Pirineos en Llamas are popping over from Medellín. Up-and-coming popster Manú is touring last year’s album, while Zarigüeya mix pop with carranga rhythms.
Viral Mexican sensation Macario Martínez is a young version of the classic Latin pop-rock crooners of yesteryear. From Quito is Machaka, highlighting Ecuadorian and wider Latin culture via tropipop. Spain is represented by Guitarricadelafuente and Judeline.
Cult kitsch octogenarian Peruvian legend La Tigresa Del Oriente plays the cabaret tent. It’s hard to describe precisely what she’s like, as she ploughs her own furrow, but this will be packed and spectacular. FEP fixture La Ramona will also play there. DJs such as Briela Veneno, Babath and Silvia Ponce are also onsite for electronica fans.
YouTube Music is making users pay for lyrics. Originally introduced in 2020 as a free feature, song lyrics now sit behind a paywall – as part of a YouTube Premium or Music Premium subscription.
As spotted by 9to5Google, in the latest update currently rolling out, the Lyrics tab on the Now Playing screen displays the warning message, "You have [x] views remaining. Unlock lyrics with Premium."
Users get five free lyrics before a subscription is required. After that, users only see the first few lines, while the rest are blurred.
Google has been testing the change with a small subset of users for a few months already, and now it appears to be rolling out globally. Google has yet to confirm the change.
YouTube Music Premium costs $10.99 per month, and includes ad-free playback, offline downloads, and background listening. YouTube Premium, priced at $13.99, brings those benefits to the YouTube app.
It's possible that Google is trying to claw back costs paid to third-party services like LyricFind and MusixMatch, which the app seems to be using to retrieve lyrics. Whether the strategy outlives previous attempts by streamers to make users pay extra for the feature remains to be seen.
Last year, Spotify briefly put lyrics behind a paywall, but it rolled back the move after a user backlash.
Musical instruments are far more than tools for producing sound: they embody the cultural identity of a territory, carrying spiritual meanings, collective memory, and the deep-rooted expressions that shape a community’s history. Colombia en un Aliento 2026 (Colombia in a Breath 2026) invites audiences on a sonic journey through the country’s wind instruments, encouraging reflection on how human breath and aerophones have shaped identities, spiritual practices, and spaces of encounter from pre-Hispanic times to the present day.
Conceived as a national cultural project, Colombia en un aliento: instrumentos de viento que narran un país (Wind Instruments That Tell the Story of a Nation) brings together ancestral knowledge, popular traditions, and contemporary artistic creation. Through an interdisciplinary approach, the initiative connects past, present, and future via a wide-ranging cultural program structured around four thematic lines.
El soplo como rito de la vida (Breath as a Rite of Life) explores the symbolic and ritual significance of wind instruments among Indigenous and Afro-Colombian cultures, where blowing air through wood is understood as an act of vitality, spirituality, and connection with the natural world. In these traditions, breath is not merely physical – it is a force that sustains life, memory, and the sacred.
El viento del encuentro (The Wind of Encounter) focuses on the social and communal role of wind instruments in fiestas, carnivals, and collective celebrations. From village plazas to major public gatherings, these instruments create shared rhythms, reinforce bonds of belonging, and transform music into a space for encounter and social cohesion.
Alientos universales, músicas locales (Universal Breaths, Local Music) examines historical processes of cultural exchange, mestizaje, and adaptation. It traces how wind instruments introduced from other parts of the world were reinterpreted across Colombia’s diverse regions, giving rise to musical expressions deeply rooted in local landscapes, histories, and identities.
Respirar el future (Breathing the Future) looks toward contemporary creation techniques, from experimentation with digital technologies to new sonic languages. The section reflects on current artistic practices in which tradition and innovation coexist, opening pathways for composition, teaching, and cultural narratives.
Together, these four thematic pillars support spaces for reflection and research, that strengthen Colombia’s sound identity. From making local knowledge visible and fostering cultural innovation, more than a series, Colombia en un Aliento / Colombia in a Breath proposes a collective experience – an invitation to understand wind instruments as symbols of life, resistance, and social cohesion.
As a year-long project by the Cultural Subdirectorate of the Banco de la República – Central Bank – this initiative will continue in 2027 with a new thematic focus on the human voice as a sonic element, expanding its exploration of sound as a carrier of memory and meaning.
The initiative will be officially launched with the public conversation “El soplo y los instrumentos: sonidos que cuentan historias / Breath and Instruments: Sounds That Tell Stories” on Tuesday, February 3 at 5:00 p.m. in the Audiovisual Hall of the Luis Ángel Arango Library (BLAA) in Bogotá.
The event will feature José Pérez de Arce, Chilean musicologist and leading authority on ancestral aerophones; Humberto Galindo, Colombian researcher and director of the Museo Mundo Sonoro; and Luis Fernando Franco, composer and co-founder of Guana Récords with more than four decades dedicated to musical research and creation.
The conversation will also be streamed live on Banrepcultural’s YouTube channel, opening this shared reflection on breath, sound, and identity to audiences in Colombia and internationally.
Apple Music is now available as an extension within ChatGPT, meaning you can search for songs, create playlists, and discover new music through OpenAI's chatbot. Here's how to set it up and what makes it worth using.
What You Can Do With Apple Music in ChatGPT
ChatGPT's integration with Apple Music has the potential to change how you discover new music by letting you describe what you're looking for in natural language. Instead of typing specific search terms like you would in Apple Music, you can ask the chatbot for "upbeat 80s songs for a road trip" or "calm instrumental music for studying," and ChatGPT will understand the context and mood you're after.
You can even combine multiple criteria, like "jazz fusion tracks under five minutes with prominent saxophone," and ChatGPT will accurately unearth what you're looking for in ways that standard keyword searches simply aren't capable of achieving.
You can request custom playlists based on specific criteria, ask for song recommendations, or explore music by decade, genre, or artist. And once ChatGPT creates a playlist, you can preview each track, and save the playlist directly to your Apple Music library with the option "Create Playlist in Apple Music." You can also save individual tracks using the + buttons.
The Apple Music extension requires a ChatGPT account and works with both free and paid ChatGPT tiers. You don't need an Apple Music subscription to search the catalog, generate playlists, or listen to 30-second preview clips, but you will need an active subscription if you want to save content to your library.
How to Connect Apple Music to ChatGPT
Before you can start discovering new music with the help of AI, you'll need to connect Apple's streaming service using ChatGPT's extension. You only need to do it once.
Open the ChatGPT app and tap your profile in the sidebar.
Under "Account" settings, tap Apps.
Tap Browse Apps, then choose Apple Music in the extensions library.
Tap Connect, then choose Connect Apple Music.
Follow the on-screen prompts to sign into your Apple Account and permit the access request.
If you're on desktop, you can perform the same steps in the ChatGPT app for Mac. Alternatively, go to https://chatgpt.com/apps in a browser and open the Apps section in ChatGPT – you'll find the Apple Music extension there. Once connected, the extension remains active across your devices signed into the same ChatGPT account.
One More Thing
Apple Music extension in ChatGPT's "Apps" section
ChatGPT can search Apple Music's catalog and create playlists, but it can't access your listening history or existing playlists. The integration only has permission to add songs to your library, so your personal data stays private.
The Teatro Mayor Julio Mario Santo Domingo has unveiled its 2026 programme, outlining 116 productions and 178 performances across opera, dance, theatre, music, circus and family shows. The announcement reinforces the theatre’s role as one of Bogotá’s leading cultural institutions, bringing national and international artists to audiences across the capital.
A highlight of the year will be the focus on Germany as Guest Country of Honor, with six events in music and dance that reflect that nation’s contemporary artistic landscape. The most anticipated is the arrival of the Berlin Philharmonic, which will perform in Colombia for the first time in its 186-year history. Led by Kirill Petrenko, the orchestra will offer two October concerts – its first appearance in South America in more than 25 years.
The 2026 lyric season builds on collaborations forged with cultural institutions in Colombia, Spain and Latin America, among them Madrid’s Teatro de la Zarzuela, Fundación Juan March, the Orquesta Sinfónica Nacional de Colombia, Coro Nacional de Colombia and the Orquesta Filarmónica de Bogotá.
The season includes new stagings of Wagner’s The Flying Dutchman (El holandés errante), directed musically by Stefan Lano and scenically by Marcelo Lombardero, and Puccini’s La bohème, conducted by Andrés Orozco Estrada with stage direction by Pedro Salazar. The zarzuelas La tabernera del puerto and El Vizconde will also be presented.
Audiences can expect landmark choral works: Beethoven’s Ninth Symphony, Bach’s St. Matthew Passion, Mahler’s Resurrection Symphony, and Furioso, a musical exploration of the mythical figure Orlando performed by countertenor Xavier Sabata and French ensemble Le Concert de l’Hostel Dieu.
The programming in dance, theatre and circus highlights companies working at the forefront of contemporary creation. The Budapest-based dance troupe Recirquel returns with Paradisum, while international dance companies – including Germany’s tanzmainz, Australia’s Sydney Dance Company, the Ballet Español de la Comunidad de Madrid, the Ballet Folclórico de la Universidad de Guadalajara and Chile’s Ballet Municipal de Santiago – offer a unique slate of choreographic perspectives. The latter will perform Swan Lake.
The theatre lineup brings Spanish award-winning works such as El Monstre by Josep María Miró and En mitad de tanto fuego by Alberto Conejero. Colombian companies including La Quinta del Lobo, Grupo Móvil Flotante and La Casa de Atrás will present co-productions with the theatre. 2026 will also see the premiere of Destinitos fatales, Sandro Romero Rey’s tribute to writer Andrés Caicedo ahead of the 50th anniversary of his death in 2027.
Teatro Mayor will again take part in the programming of the Festival Internacional de Artes Vivas – FIAV Bogotá during Holy Week, strengthening its links with the city’s broader cultural calendar.
In its commitment to showcasing Colombia’s artistic diversity, Teatro Mayor will host the launch events of several major national festivals, including the Festival de la Leyenda Vallenata, the Festival de Música del Pacífico Petronio Álvarez and the Festival de Música Andina “Mono Núñez.” International series such as the Festival de Fado, featuring Camané and Sara Correia, and Tango al Mayor, which will include concerts, masterclasses and a grand milonga, will complement the season.
Public-focused programmes – Teatro Digital and Cien Mil Niños al Mayor – will remain active throughout the year, expanding free access for students and encouraging arts accessibility across the nation’s capital.
Teatro Mayor operates as a public-private partnership and with its 2026 programme, reaffirms its role as a key cultural platform for Bogotá – one that connects local audiences with a broad spectrum of artistic expressions from Colombia and around the world.
There's now a dedicated Apple Music app for ChatGPT, which allows ChatGPT to make music recommendations and build playlists.
Apple Music can be added to ChatGPT through the Settings section in the Mac app, website, or iOS app. Apple Music is listed under the apps option, and connecting to it requires signing in with your Apple Account for authorization purposes.
ChatGPT can be used to search through the Apple Music catalog for songs, artists, albums, and playlists, even without an Apple Music subscription. OpenAI says that all users are able to discover music, generate playlists, and listen to preview clips in ChatGPT.
Apple Music subscribers can add songs, albums, and playlists to their Apple Music Library using ChatGPT. When Apple Music is added to ChatGPT, it can be selected by tapping on the "+" button. Playlists and suggestions generated by ChatGPT can be opened directly in Apple Music.
ChatGPT's Apple Music feature was first shared yesterday, but the functionality wasn't live. The app is now available to add to ChatGPT.
Update: This article originally suggested that the app could tap into a user's Apple Music listening history, but it does not have this capability and the user's history and playlists remain private. The app can add to a user's Apple Music library but does not have read access.
GM is adding an Apple Music app to select 2025 and newer Cadillac and Chevrolet models, allowing Apple Music content to be accessed through the vehicle's infotainment system.
The Apple Music app will have all of the Apple Music features users have come to expect, such as access to curated playlists, live global radio, personalized recommendations, hands-free control with a voice assistant, and exclusive content. In supported Cadillac vehicles, Spatial Audio with Dolby Atmos is available.
The native Apple Music app will integrate with the infotainment system, and GM says that Apple Music subscribers will be able to start streaming the moment they enter the car.
Audio streaming is being provided as an OnStar Basics feature for all 2026 and newer vehicles sold in the U.S. and Canada. Vehicle owners will be able to access Apple Music and other apps with no connectivity cost for eight years, but after that eight-year period, there will be a fee.
"We are bringing the Apple Music app to GM vehicles in a way that takes full advantage of our industry-leading audio capabilities," said Tim Twerdahl, GM's vice president of global product management. "It's the latest example of how we're expanding entertainment choices built directly into our vehicles."
Specific Cadillac vehicles that can access the Apple Music app include the 2025 and 2026 CT5, the 2025 Escalade IQ, and the 2026 Vistiq. Chevy vehicles with Apple Music include the 2025 and 2026 Blazer EV, Equinox EV and Silverado EV, along with the 2026 Corvette, Suburban and Tahoe.
GM says that the Apple Music app will be rolling out to additional GM vehicles and brands in the future.
GM's Apple Music announcement comes after the company started phasing out support for CarPlay. 2024 and later electric vehicles from GM do not have CarPlay integration, with GM instead relying on its own infotainment system. In the future, GM plans to move all vehicles to its own platform.
Apple is reportedly working on direct integration between Apple Music and WhatsApp to match previously-released Spotify features as Wrapped season approaches
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