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What does the name Anto<3 mean, and why is it written like that? Find out all about one of Festival Estéreo Picnic 2026’s most dynamic acts.
Anto<3 are all over the place both orthographically and musically, but in a good way. This is as Gen Z as it comes, gleefully mashing up sounds and styles in an explosion of energy, chaos and unfiltered reality. They’ll definitely start Festival Estéreo Picnic 2026 on the front foot with a shot of adrenaline to the heart.
This is full-throttle music that is relentless and breathless. Explicit and provocative lyrics take you through whirlwind mini-stories told in an effects-heavy style, underpinned by complex, energetic and throbbingly insistent rhythms.

Charismatic singer Antonia Broderick and producer Samuel Huertas take time out to talk to us about their upcoming show at Festival Estéreo Picnic 2026. It’s immediately clear where the energy comes from – Broderick’s eyes dart around while Huertas has a laid-back drawl.
Their opinions on playing the country’s biggest music fest illustrate their personalities well. Broderick leaps in to say “So fucking excited, honestly. I think it’s going to be a really great moment for everyone,” while Huertas adds “Of course, we’ve been here as audience members too, so that’s cool, because it’s from here.”
Broderick’s take on their music is simply to reel off a list of adjectives: “ Intense, punky, hardcore, free, vulnerable.” Some of that might seem contradictory, but that’s part of the point of the band. Trying to pigeonhole them is a fool’s errand, constantly getting lost as they flit seamlessly and effortlessly between genres.
Huertas tells us that fusion is key to their sound, saying that they have “Electronica with Colombian things – a lot of trap and reggaeton, I don’t know what more. Rock, also, and emo?” The former are clear in the beats while the latter two often come through in the lyrics, with candid expressions of sadness and allusions to depression alongside a celebration of vice and hedonism.
He also has time for more classic sounds, even if repurposed and refashioned for a 2026 audience. “We also have like cumbia, but mixed with new genres. Some of our songs are really traditional, which is cool.” It’s not the first thing you’ll hear, but it comes out on repeat listens.
Playing with the idea of romance, they gleefully announce their new single: the charmingly named Romantikunt. It’s a bold name, to be sure, illustrative of how few fucks they give as to what others may think. Broderick seems to relish anglo-saxon words, liberally dropping ‘fucks’ throughout her songs.
And that iconoclastic, playful band name? It comes from the delightfulness of a peck on the cheek, as Broderick explains “The name is because I love the emoticon, it’s like a heart and I think I’m really romantic. It’s basically Anto-heart, but more cool.”
It’s a name that encapsulates the band: it’s Gen Z already-ironic emoticons, tells you they don’t give a fuck about classic forms and is jarring to see, while adding that twist of sugar that sweetens the message just enough to make Anto<3 fun.
Anto<3 play the Páramo stage at 3pm on Sunday March 22 at Festival Estéreo Picnic 2026
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Colombia’s premier music event kicks off today, with top tier talent throughout the bill. Who’s on and what do you need to know about Festival Estéreo Picnic 2026?
Festival Estéreo Picnic 2026 is here at last! By far the most high-profile event in the Bogotá musical calendar, the festival has gone from strength to strength since its return to the heart of the capital and this year is certainly no exception. The sun has even come out to say hello for Friday at least.
With music event tourism growing in popularity, Festival Estéreo Picnic 2026 is a reason to visit Bogotá for many, with floods of foreign tourists coming in from Latin America and beyond, eager to check out what a contemporary Latin music festival looks like and how rolos party.

Our guide will let you in on some talent you might not have heard of on the bill as well as give you an idea of what the festival itself is like. Whether that’s eating and drinking, transportation or even what to wear, we’ve got you covered.
First time at Festival Estéreo Picnic? First time at a major Latin event? Don’t worry, it’s a well-oiled machine that is easy to deal with. All basic transactions are done via a cashless wristband that you can pick up onsite. The system is easy to charge, use and even reclaim outstanding balance from.
Bands are usually timed so that you can flip back and forth between the two main stages (Festival Estereo Picnic and Mundo Distinto) and catch everyone as long as you don’t need to be right at the front for everyone. Getting around is usually pretty easy, with big wide paths and wheelchair access relatively well set up.
Estéreo Picnic is definitely the main stage, facing in reverse to the Rock al Parque setup, but Mundo Distinto pushes it close as a strong second stage. Many years it sees the best performances, with the likes of Fatboy Slim and Limp Biskit ripping it up in recent years.
However, for true music geek points you’ll want to get to Lago (behind the second stage) and Bosque (to the left of main stage) for smaller bands and a more intimate atmosphere. When well-supported locals are onstage, this is a lively place to be.

As well as the bands on the open air stages there are also a triptych of tents. These feature a range of cabaret artists – expect burlesque, drag and the like – and a revolving lineup of mostly local DJs. These are great places to dip into if you’re left cold by the stages, but expect a fierce heat inside.
In terms of refreshments you should have no problems. There’s a decent dedicated eating area and unless you go at the absolute peak time you should have no trouble finding seats. Prices are towards the higher end of Bogotá, but not at all crazy.
Offerings are similar to what you might expect to find in a food court at a mall: a bunch of big and big-ish chains plus a few smaller outlets. Vegans are usually catered to by either NoPollo or Stankov. There’ll be a craft beer stall somewhere plus a BBC van.
This is Bogotá, so make sure you pack waterproofs and suncream porque sí. You probably need at least one of them and possibly both. If you turn up in the late afternoon you can get away without the cream, but remember people burn fast at altitude.
Decent hiking waterproofs aren’t high fashion but they are very practical and with La Niña refusing to clear off, likely to be necessary. Even if you avoid the actual rainy spells, there’s a good chance of muddy patches that can quickly ruin nice trainers.

If you find yourself with a long time between bands or needing a rest, there are chill out zones to relax with as well as a market featuring stalls usually run by independent brands. There will also be plenty of megacorps trying to flog stuff all over the park.
This year, it’s a three-day event. That seems like a good move, concentrating quality into a long weekend rather than stretching things over four days. Adult tickets start at COP$523,000 for a single day and are available online via Ticketmaster here.
Finally, toilets. Yes, it’s a festival, but no, they aren’t bad. Men and women are neatly separated, but make sure you bring a pack of tissues as paper is usually in short supply. The area is nice and large so no risk of anything horrible happening.

Get onsite early to check out Entreco opening the Lago stage at 4pm on the way in. They’re queer-punk iconoclasts from Cali with a long history. The crowd might be small, but the performance will be big, with plenty of charisma on stage. Manú is then over at the Bosque for some more introspective pop.
Djo and Katseye arrived at the airport together this week and they play joined at the hip – the latter on the second stage for sundown, with the former taking over on the main stage after an hour.
Then things get complicated. Six Sex will be on a minor stage, Bogotá rockcito mainstays Nicolás y los Fumadores are at the Lago and Addison Rae lights up the second stage. Digital Nuclear Transistor is worth catching in the tents if you’re a fan of dark techno.
And then Turnstile arrive at the main stage for what will be a crushing moshpit. They’re on at the right time in the right place: it’ll be intense, just as it was when they played here a few years back.
With probably the strongest single-day lineup, there’s only one place to be to see out the day as Tyler, the Creator takes to the stage at 23:15. Lorde is the warm-up on the second stage if you don’t want to be pushing to the front for the headliner.

After Friday’s fun and games, you might be tempted to arrive late on the following afternoon. That would be a shame, because there’s some fine acts early doors. Machaka from Ecuador is an interesting take on Latin pop, Kabinett is wildly inventive alternative electronica and 31 minutos is a puppet show. Yes really, and it’ll be huge.
Perhaps one of the most Latin experiences you can have is on today: La Tigresa del Oriente. An octagenarian balladeer that defies all comparison and most description, look her up to get an idea of what’ll happen. Aora tent at 7pm, it’ll be something special.
After that, you have Tom Morello continuing to rage against the machine, but still having an early night and The Killers, who have been here before and always turn in a big set. Swedish House Mafia close out the second stage and that is likely to be bouncing, with Festival Estéreo Picnic always loving this type of slot.

The day kicks off with an absolute riot of local talent from early on, with Anto<3, Agraciada Pirineos en Llamas and Zarigüeya all opening stages. All four are exciting young Colombian talent that reward those getting onsite to see them.
Unlike anything else on the bill, Zarigüeya is proudly political without tubthumping and blending carranga rhythms into a smooth smorgasbord of styles.
Latin American maximalism is represented by Agraciada, who teams that visual style with soulful, delicate minimalist harmonies.
Anto<3, meanwhile, are a very different proposition entirely. That’s Gen Z Latin hyperpop that’s bouncy, energetic and sultry all at once.
Macario Martínez is a Mexican viral sensation tipped to make it big while booking Travis to play Colombia early afternoon this close to the rainy season is frankly tempting fate. Then there’s the mystery of pop pixie Sabrina Carpenter, a ray of upbeat pop among an array of darker and more aggressive acts.
Those are Interpol, Deftones and Skrillex, giving a very turn of the century feel to the end of the festival. Interpol will sound like they always do, serviceable, but the other two are more interesting.
Deftones are back on track after some rocky years, gaining near-universal acclaim for this tour as more people re-evaluate their position as nu-metal pioneers. Skrillex, meanwhile, dug a furrow all of his own as the DJ metalheads love and metalhead DJs love. He’ll lean more into the former than latter to close out Festival Estéreo Picnic 2026.
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Mixing Latin American maximalist visuals with a sensitive minimalist sound, Agraciada is set to light up Festival Estéreo Picnic 2026.
Huilense popster Agraciada in person screams Latin American maximalism with her outfit. Musically, though, she’s more introspective and sensitive with a deep groundswell of emotion eddying through her songs in the tradition of melancholic Latin crooners. She’s set to bring something different to Festival Estéreo Picnic 2026.

This clash of flamboyance and melancholy would be reminiscent of Morrissey were she not so easy to talk to and such pleasant company. Born Georgina Rojas Vargás, she explains where the dualism of visual maximalism and musical minimalism comes from.
“It depends on the day,” she says with regard to her flamboyant outfit and stuffed toy. “Sometimes you have to do something a bit special. The visual identity is very important for me, the maximalism. That has a lot to do with my day-to-day life too.”
She warms to the theme, explaining that when it comes to music she thinks less can be more. “I consider myself very sensitive, it’s part of my personality. I perceive everything as very intense and music permits me to express that.”
Her music is very traditional in terms of emotion and emphasis, with a heavy focus on loss, melancholy and sadness as well as dreams of love. While there’s a lot going on, it’s muted rather than flashy, allowing the vocals to take centre stage.
In the Latin tradition, it’s gentle and soulful with stripped back wistful harmonies. “I consider my music very melancholic,” she says, continuing “there’s the romanticism of salsa and ranchera as well as other traditional genres in Colombia and Mexico particularly. It’s a very Latin American mix.”
Pressed for a personal recommendation, she says that “Calor de corazón shows the intensity of my personality.” She recommends listening in 5.1 surround sound for the full effect of the aural soundscape to reach and envelop you.
She’s looking forward to being onstage at Festival Estéreo Picnic 2026 as she loves performing. “For me art is like a service, I’m inviting the audience to share something very personal from me.” She’s been in Bogotá more than enough time to pick up the accent, so she knows just how big a stage this is.
It’ll be a big affair as well – she’s turning up with full musical support. “There will be 15 musicians on stage with me, because they’re my friends and we want to put something a bit different on stage. That includes two pianos.”
Agraciada is a bundle of contrasts that triggers lots of emotions through her gentle, softcore delivery. It’s perfect music both for a warm Bogotá afternoon at Festival Estéreo Picnic 2026 or in a nice cosy bar elsewhere in la nevera.
Agraciada plays the Bosque stage on Sunday March 22 at 14:30 as part of Festival Estéreo Picnic 2026.
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Singer-songwriter Zarigüeya is on a learning curve at Festival Estéreo Picnic 2026, but she’s sure of her principles. Find out why she’s not on the world’s biggest music streamer.

Singer Sara Puentes Umbarila is performing at Festival Estéreo Picnic 2026 with a musical style that’s markedly different to much of the bill.
Known as Zarigüeya, she combines a range of musical influences with an unapologetically political stance. This isn’t party politics though, instead being about principles and philosophy.
It’s not easy finding Zarigüeya online, and she readily explains why. “I’m really hard to find because I’m not on Spotify. I was, but then I took my music out of the platform. It was a political decision, because I found out the owner was investing in war and on top of that they don’t pay the artists well. So I prefer not to be part of that.”
It’s a principled stand of the type that used to be normal in music but is becoming less commonplace. “I know it’s important for artists to be easy to find, but I don’t care.” A sentiment that might resonate with the likes of Tom Morello on the bill.
Not being on Spotify means more promotion the old-fashioned way – making good music and playing it live. And there’s no bigger stage than Festival Estéreo Picnic 2026. “I’m here to learn, basically, she says, adding “I feel good, a little bit shy, anxious but I know it’s going to be really fun and special to have this chance to share this music in places where I usually wouldn’t go.”
Making the effort to find her music (on pretty much any other platform) is well worth it though. She has a beguilingly soft voice that underpins deep lyrics. While she’s certainly part of the well established Latin tradition of a singer with a guitar, there’s a lot more to her music, blending a rainbow range of rhythms and styles.
She returns again to the theme of learning as she explains how her songs differ. “I’m still figuring things out after three years as a songwriter, so I have my band and I also play alone.” That adds to the sense of whimsy that permeates her sound – as comfortable with full backing or going solo.
Carranga pops up often in descriptions of Zarigüeya and it is a part of the mix, but she draws from lots of sources. “I mean, I love carranga, it’s one of my favorite genres, but this is not intended to be 100% carranga.”
“This is music, you have a little bit of many different rhythms. It has a clear carranga inspiration but not in all the songs. Three or four have a strong influence, but many are just whatever comes [to me] in the moment, not on a strict schedule.”
It’s no surprise that this isn’t just a musical basis. “One of my biggest influences is Violeta Parra cause she has an amazing voice, she had a very free spirit and also was always trying to find songs in the fields, in the mountains, in the people. And also she was really political in her songs which is something I admire.”
It’s a departure from much of the bill, for sure. “[The audience] can expect to see something different from the rest of the lineup, because of the music and also the vibe of the show. I like to talk a lot and be very narrative.” Adding to that is a multimedia experience, with a friend illustrating live on stage and her own art also prominent as a backdrop.
Festival Estéreo Picnic 2026 isn’t her usual scene, so it’s a special opportunity. “I go to other places usually, other kinds of festivals. So in all senses it’s new to me. It’s challenging and confronting to be part of this. I was not looking for it but I think I will learn a lot.” As will you if you get to her set on Sunday, or further down the line.
Zarigüeya plays the Lago stage at 14:15 on Sunday afternoon at Festival Estéreo Picnic 2026.
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Festival Estéreo Picnic 2026 is nearly here, and is a great way to find out more about Latin music alongside serious international superstars
Festival Estéreo Picnic 2026 is only a few weeks away now, with artists including Tyler, the Creator and Sabrina Carpenter topping a typically star-studded bill on the 20th-22nd of March. Having cemented its place in the centre of Bogotá, the event continues to be the biggest draw in town.

This year, it’s a three-day event. That seems like a good move, concentrating quality into a long weekend rather than stretching things over four days. Adult tickets start at COP$523,000 for a single day and are available online via Ticketmaster here.
Full fest regular passes are at COP$1,413,000 and Sat-Sun at COP$939,000. VIP rates are significantly higher, with a full 3 day pass clocking in at COP$2,899,000. Prices will increase in the coming weeks.
Cultural tourism is now a heavyweight part of the sector and is rapidly diversifying away from purely traditional events like Barranquilla Carnival. That means a lot more travellers timing trips to coincide with festivals like Estéreo Picnic.
It’s easy to see why. Not only do you get a stellar international lineup, but also a peek at the flow of a Latin crowd. With prices competitive compared to North America and Europe, it’s a good way to see international stars along with your holiday.
In a word: fantastic. Since the move back to the heart of the city, everything now flows pretty much seamlessly. Considering the size of the event, this is quite an achievement. It’s a cashless wristband affair, meaning you don’t have to worry about carrying too much cash.
There’s two big stages as well as a frequently interesting third stage set behind the second stage, often home to some of the more quirky and/or local acts. Hometown hip-hoppers La Etnnia’s set in 2024 was emblematic of that.
Of course, you’ll find getting to the front tricky with thousands of people in front of you, but there’s no VIP barriers to contend with and good views of most stages across the site. Bands are timed to avoid clashes, so you should be able to catch everyone on your list, even if from far away and there’s little dead time to contend with.

Food and drink is reasonably priced: you won’t be able to find a corrientazo bargain, but neither is it airport pricing. There’s a wide selection of local chains and some internationals with all tastes catered for, usually including fully vegan stands. The park’s normal drinking water fountains keep running through the festival too, with long lines.
If you’re getting tired after hours in a field, there are lots of seated spaces or grass to lie on, as well as tents in which to keep warm or shelter from rain. If you find yourself between bands, there’s a wide selection of shops and stalls to peruse. If things are really going south, there are dedicated chill-out spots and medical support.
Festival Estéreo Picnic 2026 will be starting off front foot forward, with Tyler, The Creator headlining Friday night. Kiwi popster Lorde is the undercard here, with Turnstile bound to attract a big audience, given how much of a rock city Bogotá is.
On Saturday night, traditionally the biggest party of the weekend, the festival is going back to a tried and trusted favourite: The Killers. They’ve played Colombia a half dozen times over the past decade, so this isn’t breaking new ground, but will be popular.
There’s plenty of international quality down the bill on the middle day too, with Swedish House Mafia likely to go down an absolute storm, The Whitest Boy Alive popular and Tom Morello guaranteed to make a political statement.
For the final night, there’s a mix of contemporary talent and big name legends. Sabrina Carpenter ticks the first box, while Skrillex, Deftones and Interpol tick the latter. Scottish Britpop survivors Travis are timing things perfectly for a rendition of Why Does It Always Rain On Me.
So, there’s plenty of well-known names you’ll recognise from international charts, but what about the local and Latin talent? After all, you can catch many of the big names around the world, but this might be your only chance to check out local talent.
These bands are usually scheduled earlier in the day, giving you the perfect excuse to rock up early and miss the queues for peaktime entrance around 6pm. Sadly, the local scene isn’t always the best attended, meaning that it’ll be easy to get up nice and close for most of these bands.
Nicolás y los Fumadores are as classic rolo rockcito as they come and command a strong following in the capital. 80s-infused Pirineos en Llamas are popping over from Medellín. Up-and-coming popster Manú is touring last year’s album, while Zarigüeya mix pop with carranga rhythms.
Viral Mexican sensation Macario Martínez is a young version of the classic Latin pop-rock crooners of yesteryear. From Quito is Machaka, highlighting Ecuadorian and wider Latin culture via tropipop. Spain is represented by Guitarricadelafuente and Judeline.
Cult kitsch octogenarian Peruvian legend La Tigresa Del Oriente plays the cabaret tent. It’s hard to describe precisely what she’s like, as she ploughs her own furrow, but this will be packed and spectacular. FEP fixture La Ramona will also play there. DJs such as Briela Veneno, Babath and Silvia Ponce are also onsite for electronica fans.
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The Medellín Secretariat of Tourism and Entertainment participated in the annual United States Tour Operators Association (USTOA) Conference and Marketplace, held through Friday at the Gaylord National Resort & Convention Center in Maryland. The Colombian city’s objective was to market its tourism offerings to US visitors and operators who prioritize sustainable practices and respect for local communities.
The USTOA Annual Conference is considered a significant platform within the US travel industry. The organization, founded in 1972, promotes responsible tourism and the development of experiences that contribute to cultural and environmental preservation. Medellín, operating as an associate member, utilized the event to engage with leading tour operators, international destinations, and specialized suppliers, aiming to secure high-value business agreements and build strategic alliances.
Medellín is seeking to encourage conscious and family-oriented tourism, and discourage those with more lascivious motives.
According to a statement from the Secretariat, the city’s delegation secured 10 business-to-business (B2B) meetings with US operators focused on expanding their travel portfolios into emerging Latin American markets. Medellín also contributed to the conference’s academic section, presenting its tourism assets. The city’s presentation emphasized its focus on the entertainment and social tourism segments, positioning itself for travelers seeking cultural and leisure activities with a defined responsible approach.
The Medellín Mayor’s Office, through its tourism agency and the Greater Medellín Convention & Visitors Bureau, highlighted several elements intended to appeal to international operators. These assets include the city’s calendar of international events, its gastronomic and musical offerings, and its active nightlife. Furthermore, city officials pointed to the modern hotel infrastructure, venues suitable for large-scale events, increased flight connectivity, and the range of cultural programs as factors allowing international operators to design programs that meet traveler expectations.
The city’s participation in the conference represents a push to cultivate long-term partnerships with operators who are committed to what the local administration defines as a more conscious form of travel, aligning with shifting industry trends.
As the year winds to an end, the Bogotá Post looks back at 2025 in Colombia
2025 might well be looked back upon in years to come as the calm before the storm. An early sign of the potentially troubled waters ahead was the assassination of Senator Miguel Uribe in early June. Other themes included friction with the US, political deadlock and a sense that much is being put off for next year.

Relations with the USA started badly after Trump was sworn in, as he deported Colombian immigrants in chains on military planes. Petro at first refused to receive the flights, before relenting and allowing them to land but greeting the travellers and treating them with dignity.
From there it got worse, with Petro turning up on the New York streets protesting while on a visit to the UN. Trump in turn has no love for Petro, calling him a bad guy and putting him and his family on the Clinton List, alongside highly controversial longtime advisor Armando Benedetti. It also emerged at that point that Petro had separated from Veronica Alcocer some time ago.
After the US started bombing alleged narco ships in international waters in the Caribbean, things took an even darker turn. Petro, like most world leaders, was highly critical of US operations in the Caribbean, leading Trump to warn that “he could be next”.
Bogotá herself kept on with business as usual, although that’s not always a good sign. Mayor Gálan has little to show at the mid point of his time in the Palacio Liévano. Crime and rubbish are the most visible signs of a city that sometimes feels stuck in place, although the Metro seems to be on track.
Away from the febrile world of Colombian politics, there was plenty going on in cultural fields, from an impressive Copa América run by the superpoderosas to possibly the best festival Cordillera yet in Bogotá.
Senator Miguel Uribe was assassinated at the start of his electoral bid in a worrrying reminder of what can happen in Colombian politics. The politician was shot a number of times in the head while making a visit to Modelia and put into intensive care for a month before passing.

One shooter, just 15 years of age was shot and captured at the scene by Uribe’s protection. Other suspects and accomplices were relatively quickly captured, although the intellectual author of the crime remains unclear. While social networks have been hothouses of rumours and propaganda, candidates have thankfully so far stayed largely clear of commenting.
Runners and riders for the presidency have emerged and started the process of thinning the field. The Liberales, Conservadores and Cambio Radical are yet to declare their representatives. However, there are still six candidates for political parties and another 14 who have acquired the requisite 635,000 signatures to run as independents.
Among the latter names there are some big names such as Claudia López, Luis Murillo, Abelardo de Espriella and Vicky Dávila. There’s also a number of seeming no-hopers, but remember that was Rodolfo Hérnandez this time last year and he got to the second round as a semi-protest candidate.
Iván Cepeda is Petro’s successor candidate for Pacto Historico, while the Centro Democrático have plumped for Paloma Valencia. Sergio Fajardo is back in the race again, for Dignidad y Compromiso. That means no place for some high profile heavyweights such as Maria Fernanda Cabal, Susana Muhamed and Gustavo Bolívar.
One of the constants in Colombian politics in 2025 was that major reforms and were blocked and delayed, yet a few things were snuck in through alternative measures. This was exemplified by Petro declaring economic emergency in a constitutionally dubious manner.
The reforma de salud was sunk again in the springtime, but by mid-year MinSalud had gone ahead with some of the changes anyway. This may well be reversed by an incoming government next year, meaning that EPSs remain somewhat in limbo.
Cómo así que no hay que castigar alcohol cuando más se tiene alcohol en la mercancía, ¿no sabe que es la droga que más produce muerte y daños en los sistemas presupuestales de salud? Menos alcohol en las personas y la sociedad es productivo y beneficioso para la vida. Aquí no se… https://t.co/GFbT4Wx0k5
— Gustavo Petro (@petrogustavo) December 31, 2025
Major budget changes are unlikely to get through under anyone, so failing to get this done can’t really be laid at Petro’s door. However, he’s gone ahead with what he can do: enormous hikes in the minimum salary, IVA abolished on certain items, demanding that pension funds divest from foreign investments and repatriate their savings.
Paz Total is looking more and more like Fracaso Total as time ticks on. At best, talks with various groups are going nowhere, while other talks have essentially collapsed. Trump declaring the Gaitanistas a terrorist group has muddied the waters even further. The ELN, Colombia’s largest remaining guerilla force, in particular have intensified operations.
While some of that has underlined the difference between their rhetoric and reality, with December’s paro nacional affecting little of the country, other attacks have been bloody and worrying, with the increased use of drones a dangerous direction of travel.
Whether the economy is doing well or not and whether that is because or in spite of the government will depend mainly on your fellings towards Petro. It’s a mixed bag with plenty of caveats on both sides. GDP growth has been good and ahead of expectation, with unemployment continuing to fall and inflation slowing. Those new jobs are largely formal, too.
However, the GDP growth isn’t as fast as it could be, while it’s outperforming regionally, it’s behind the global average. Unemployment is at a low point for the century, but is still mainly informal and the rate of decrease is slowing. It’s hard to guess how the recently announced minimum wage hike to COP$2,000,000 will affect this.

Much more worrying is that much of this may be built on sand. While Petro has struggled to get big-ticket bills through the legislature, he’s quietly done things behind the scenes that have ramped up public spending. He’s betting on that being an investment which will keep delivering in the long run. If not, it will be an albatross for future governments.
Inflation remains at 5.3% annually, not calamitous, but stubbornly high. The cost of living, too, is ever-increasing, not helped by uncertainty in global trade routes. Despite all that wind and bluster between Trump and Petro, tariffs remain at the standard 10% for the time being.
Petro finally got his reforma laboral over the line, in some ways a major achievement considering the opposition it faced in the Senate. However, the text of the bill is somewhat underwhelming. For the main part, there are minor changes such as a cap on overtime and night shifts starting two hours earlier as well as solidifying full time contracts as the norm.
The most substantial change is a commitment to make online providers such as Rappi pay social security and workplace risk contributions for their workers. This may find the devil is in the details in terms of bringing it into reality.
Colombia also brought the Bre-B system of instant payments online. This is already having a huge impact in a country where digital payments are widespread and popular. Long term, this provides a base for increasing transparancy and reducing corruption. However, questions remain over the infrastructure underpinning these systems.

The really big local news has been that the Metro is progressing as planned. This might not seem like big news, but given how long the project spent in planning and the tendency of the president to stick his beak in, it’s just good to see something being done.
The first trains have arrived in the country and are running tests while the towering columns of the track are in place all over the city. Today, that means pain as Transmi stations close and traffic is rerouted, but all is in place for a fully integrated public transport system in the future.
RegioTram is also more or less on schedule, although it will need to be reworked to connect with the Bogotá systems, after it was pointed out that the planned stations are a fair distance away from the trnasmi and Metro. Regardless, connecting satellite towns with the capital is a gamechanging proposal.
Life in the city remains irritating due to continued high crime levels and the seeming refusal of Carlos Fernando Galán to do anything about rubbish on the streets. The best that can be said about Gálan at this point is that he has done little of note, hardly a glowing resumé, given his ambitions coming into office.

The capital saw a celebration of Latino music as Festival Cordillera 2025 confirmed the event’s stature as a lodestone of music in Colombia. With Festival Estéreo Picnic 2025 providing a balance that focuses on anglophone music, the capital is well set. However, with both those festivals in the Parque Bolívar, Rock al Parque is struggling to stay relevant.
Plenty of other bands were touring throughout the year too, with Bogotá increasingly on the map for big-name world superstars. That means enduring the likes of Guns N’ Roses, but also means that rolos can see contemporary stars like Dua Lipa.
Former busker Ed Sheeran popped up on stage as a surprise guest of J Balvin in December, while another Brit unsurprisingly failed to turn up because that’s what Morrissey does these days. Latinos across Instagram responded by trolling the famous vegetarian with meat recipes.
Elsewhere online, Colombian food performed well on a host of dubious internet polls, sparkign waves of reposted joy throughout the year. In more dispiriting news, Club Colombia Negra was discontinued by Bavaria, meaning you have few chances to neck the country’s last widely available dark lager.
For those more interested in staying home, Colombia’s first ever board games convention took place in November. Ludotopia was an undisputed success, attracting the likes of Wingspan artist Ana Maria Martínez (who teased the upcoming expansion for Wingspan South America, Central America and Caribbean) and proving that Bogotá retains a dynamic and evolving cultural scene.
The women’s football team came into the Copa América on good form and were within seconds of taking the title. With two minutes of regular time to go, Mayra Ramírez put Colombia ahead for the third and seemingly last time at 3:2. Brazilian superstar supersub Marta, in her last tournament, broke Colombian hearts as she rolled back the years with a last gasp equalizer in the sixth minute of injury time.
The drama wasn’t over, as she then put Brazil in front for the first time in extra time before Leicy Santos equalized and took the game to penalties. There, the game slipped through the fingers of the superpoderosas as perma-champions Brazil showed their experience. They took the shoot out 5:4 for their 9th title in ten Copa Américas.
The men’s team, also runners up in their Copa América, ground their way to qualification for next year’s World Cup in North America. Conmebol was a slogfest this time around, with everyone except Argentina involved in taking points off each other and goals in short supply.
Eventually, Colombia found form, only losing a single game in the year and finishing with a goalfest against Venezuela, beating their fierce rivals 6-3 in the last game. That leaves Colombia 13th in the FIFA rankings – unlucky for some maybe, but not coach Nestor Lorenzo.

On the local stage, Santa Fe reclaimed the liga apertura for Bogotá, triumphing in Medellín over Independiente thanks to an inspired performance from Wigan legend Hugo Rodellega. Knocking out Millos and El Tigre Falcao on the way made it even sweeter. Junior of Barranquilla took the finalizácion, with Nacional winning the Copa Colombia. The latter was a Medellín derby and marred by a pitch invasion and violence at the end.
Cricket Colombia hit a six as MinDeportes officially recognised the gentleman’s game as a sport in the country. This opens up the field for more funding and support for events. They also welcomed a visiting team from Trinidad and Tobago as well as setting a T20 record for a last wicket chase in the Gulf Series against México.
Next year promises much more drama in Colombia, with national elections set to be hard-fought. This is an unusual cycle, as the country is preparing to see who will succeed a leftist president. Whether there will be continuity, a sharp tack rightwards or a drive for the centre is still anyone’s guess.
The lineups for the capital’s big music festivals seem strong, with a supporting cast of superstars also set to tour. The men’s football team have a relatively straightforward group in the World Cup and will fancy themselves to do well.
Our predictions for 2026 will be coming in the next few days, but whatever comes to pass, we’ll be here to keep you in the loop with what’s happening in Colombia and why. We got some of the 2025 calls right, after all. right Happy new year from the Bogotá Post – your English voice in Colombia!
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