For a literary festival, silence can be more revealing than speech. The decision by three writers to withdraw from the 2026 Hay Festival in Cartagena over the presence of María Corina Machado, this year’s Nobel Peace Prize laureate and the most prominent figure in Venezuela’s democratic opposition, has exposed a paradox at the heart of contemporary literary culture: a professed devotion to free expression that falters when confronted with an inconvenient voice.

Hay Festival Cartagena, now in its 21st edition, is scheduled to take place from 29 January to 1 February 2026, with parallel events in Barranquilla, Medellín and a special edition in Jericó, Antioquia. Founded three decades ago in Wales and once described by Bill Clinton as “the Woodstock of the mind,” Hay has built its global reputation on the premise that literature flourishes in the presence of disagreement. Its stages have hosted figures as diverse – and divisive – as Salman Rushdie, Jonathan Safran Foer and David Goodhart, writers whose ideas have unsettled orthodoxies across continents.

Yet in Cartagena, dialogue has been recast as contamination.

The Colombian novelist Laura Restrepo, the Barranquilla-born writer Giuseppe Caputo and the Dominican activist Mikaelah Drullard announced they would not attend in protest at Machado’s invitation. Restrepo, winner of the 2004 Alfaguara Prize, had been scheduled to participate in several events, including a conversation with Indian novelist Pankaj Mishra and a session devoted to her most recent book, I Am the Dagger and I Am the Wound. In a public letter addressed to festival director Cristina de la Fuente, Restrepo described Machado’s presence as “a line” crossed.

“I must cancel my attendance at Hay Festival Cartagena 2026,” Restrepo wrote. “The reason is the participation of María Corina Machado, an active supporter of United States military intervention in Latin America.” Granting her a platform, Restrepo argued, amounted to facilitating positions hostile to regional autonomy.

Caputo echoed his reasoning on social media, announcing that “in the current context of escalating imperial violence, it is better to withdraw from a festival taking place opposite the bombarded waters of the Caribbean Sea.” Drullard, five days earlier, said she could not attend an event that “supports pro-genocide and interventionist positions through the mobilisation of those who promote them,” citing Machado’s proximity to the administration of US President Donald Trump.

What remains striking, however, is not merely the severity of these accusations but their selectivity. None of the boycott statements devotes comparable moral energy to denouncing the documented human rights abuses of Nicolás Maduro’s regime: arbitrary detentions, enforced disappearances, torture of political prisoners, or the systematic dismantling of democratic institutions. One is left to ask whether the authors’ moral outrage extends to the lived realities of Venezuelans themselves, or whether it finds expression only when filtered through the optics of geopolitics.

The irony is sharpened by the fact that the same US administration helped secure Machado’s escape from Venezuela on December 8, enabling her to arrive in Oslo hours after her daughter Ana Corina Sosa received the Nobel Peace Prize on her behalf. “When the history of our time is written, it won’t be the names of the authoritarian rulers that stand out – but the names of those who dared resist,” noted the Nobel Foundation. 

The arguments from Machado’s detractors  warrant scrutiny – and above all, debate. What they do not justify is refusal from Latin America’s self-entitled literati. A boycott replaces argument with absence, moral reasoning with pantomime. It is a gesture that confers ethical purity upon the boycotter while foreclosing the very exchange that literature has traditionally claimed to defend. This is the “line” that cannot be crossed.

The Hay Festival’s response has been characteristically diplomatic In a statement following the cancellations, organisers reaffirmed their commitment to pluralism: “We reaffirm our conviction that open, plural and constructive dialogue remains an essential tool for addressing complex realities and for defending the free exchange of ideas and freedom of expression.” They stressed that Hay “does not align itself with or endorse the opinions, positions or statements of those who participate in its activities,” while respecting the decisions of those who chose not to attend.

That insistence on neutrality, however, also reveals a deeper unease. If a literary festival must repeatedly assert its impartiality, it may be because neutrality itself has become suspect. Increasingly, festivals are asked to function as courts of moral arbitration, conferring legitimacy on some voices while quietly disqualifying others. The result is not a more just cultural sphere, but a narrower one—policed less by argument than by consensus.

The controversy has unfolded at a particularly volatile moment for Venezuela’s eight-million diaspora. Machado’s invitation coincides with a renewed escalation in US pressure in the Caribbean Sea. On Tuesday, President Trump ordered a “total and complete blockade” of all sanctioned oil tankers entering or leaving the country, targeting Caracas’s principal source of revenue. His administration also designated Maduro’s government a Foreign Terrorist Organization, accusing it of using “stolen US assets” to finance terrorism, drug trafficking and organised crime.

“Venezuela is completely surrounded by the largest armada ever assembled in the history of South America,” Trump wrote on Truth Social. “It will only get bigger, and the shock to them will be like nothing they have ever seen before – until such time as they return to the United States all of the oil, land and other assets they previously stole from us.”

Against this backdrop, Machado’s high-profile presence at Hay has acquired a symbolic weight that far exceeds literary stages. Yet it is precisely at such moments that intellectual forums are tested. Fiction, after all, teaches empathy, complexity and the capacity to hold contradiction without retreat. To boycott rather than engage is to abandon that lesson – and, with it, democratical ideals.

The reputational cost to Hay Festival Cartagena may prove lasting – not because Machado was invited, but because the limits of reason and tolerance have been publicly exposed. A gathering that once prided itself on hosting difficult conversations now finds itself unsettled by the very principle on which it was founded.

And there is a final inflection. If Hay’s commitment to dialogue is grounded in a leftist agenda – if certain voices render discussion impossible – then Machado herself should reasonably question the value of her remote participation at the festival on January 30, for a scheduled conversation with Venezuelan journalist and former minister Moisés Naím.

In Cartagena, it is not Machado’s words that should concern audiences, but the intellectual impoverishment by those who chose not to speak to her at all.

Colombia’s Foreign Minister Rosa Villavicencio declared Thursday that the Government of President Gustavo Petro is “not in agreement” with the Nobel Peace Prize awarded to Venezuelan opposition leader María Corina Machado – a position that signals how Colombia remains a close ideological ally of one of the hemisphere’s most authoritarian states.

In remarks that were evasive at best and obtuse at worst, Villavicencio told Caracol Radio that Colombia did not send a delegation to the ceremony in Oslo because the prize “should not be granted to someone who incites aggression.” She accused Machado of having previously endorsed the possibility of foreign intervention to restore democracy in Venezuela — a talking point aligned with Maduro’s narrative but at odds with the reality of Machado’s persecution and exile.

The foreign minister tried to soften the blow by reminding listeners that the Norwegian Committee is “autonomous,” line repeated several times as if to imply Colombia’s hands were tied. But the message was unmistakable: Colombia has chosen the comfort of accommodating a dictatorship over defending a peaceful transition to democracy in Venezuela.

The Petro administration’s stance also signals how a government that claims to champion human rights now shows deference to regimes that imprison, torture, censor, and force political opponents into hiding. Colombia has deliberately refused to stand with a woman who risked her life to defend the most essential freedoms for all Venezuelans.

The contrast between Colombia’s silence and the global celebration of Machado cannot be more glaring. Leaders across Europe, Latin America, and the United States praised her courage, while King Harald of Norway presided over a ceremony attended by Argentina’s Javier Milei, former Colombian president Iván Duque, Panama’s José Raúl Mulino, Ecuador’s Daniel Noboa, and Paraguay’s Santiago Peña.

Machado’s Escape Exposes Bogotá’s Moral Vacuum

While Colombia questions the legitimacy of the award, Machado herself undertook a dramatic escape that underscored the brutality of the regime she confronts – and the grotesque irony of Bogotá’s position.

According to a Wall Street Journal investigation, Machado disguised herself with a wig, crossed ten military checkpoints, boarded a fishing boat to Curaçao, and flew to Oslo on a private jet. After more than a year in hiding, she emerged publicly in Norway. Her daughter, Ana Corina Sosa, accepted the Nobel Prize on her behalf during a emotional ceremony on Wednesday, December 10.

Machado’s audacity – and the global admiration it generated – stands in stark contrast to Colombia’s  political miscalculations.

Villavicencio justified Colombia’s position by claiming Machado had “accepted any kind of military intervention” in Venezuela. But the remark functioned less as diplomacy and more as justification for a government unwilling to break ranks with a regime that operates as the “criminal hub of the Americas”.

Machado told reporters on Thursday, that Venezuela “has already been invaded” by Russian agents, Iranian agents, and terrorist groups Hezbollah and Hamas.  “What sustains the regime is a very powerful and strongly funded repression system. Where do those funds come from? Well, from drug trafficking, from the black market of oil, from arms trafficking and from human trafficking. We need to cut those flows,” stated the Laureate next to Norway’s Prime Minister Jonas Gahr Stoere.

Machado has pledged to return to Venezuela with her Nobel Prize and insists her country will become democratic and free. She has denounced the criminal structures that sustain the Maduro regime and highlighted the broader regional security threat it poses.

Meanwhile, Colombia – critical of Israel’s human rights abuses in the Gaza Strip – has yet to condemn the October 7 massacre committed by Hamas, and remains notably quiet on Maduro’s sprawling torture centre, El Helicoide, in central Caracas.

Petro’s increasingly toxic foreign policy with the Trump administration has now crossed an indelible moral line.  Latin America’s oldest continuous democracy is now publicly undermining a woman targeted by a dictatorship. In doing so, Colombia has distanced itself from other Western nations defending democratic ideals and aligned itself more closely with those eroding them.

The foreign ministry insists its position is based on principle. But to much of the international community, and to a majority of Colombians, the reality is unavoidable: the Petro government is no longer neutral, no longer cautious, and no longer a credible defender of democratic values. It has willingly taken Maduro’s side – and revealed a profound lack of moral courage on the world stage.